










by Candy • Monday, March 17, 2008 at 12:03 AM
Our Grade:
Title: Decadent
Author: Shayla Black
Publication Info: Berkley 2007, ISBN: 9780425217214
Genre: Erotica/Romantica
(Warning: Massive spoilers for this book lie under the fold, as well as a link to a LOLPORN photo. Read on at your own peril.)
Reading Decadent deafened me.
Have you ever had that experience before? You finish reading a book and you feel just a bit numb. Your brain is ringing the way your ears do when leaving a venue with a terrible sound system, after watching a band that’s far too fond of playing very loudly and not nearly fond enough of playing with skill. I haven’t read too many novels that do that to me, so I attempted to analyze why Decadent inspired that reaction, and what I finally figured out was this:
The book was written in such a way that its ideal narrator was the Summer Blockbuster Guy.
“This summer… An innocent beauty learns the price of earning the love she thinks she wants… is finding love in a place she never expected.”
“This summer… A hardened soldier of fortune discovers that gaining the girl of his dreams… means letting go of the girl in his past.”
“This summer… A girl becomes a woman… and learns she can preserve her virginity… by having anal sex with two men.”
“HANG ON,” I can almost hear you saying. “You’re just making shit up, now. Candy, your slice-n-dice reviews have gone too far.”
Psh. You think I’d kid about something that important? You think I would make a crass joke about teh buttsecks to illustrate how incredibly silly this book is? Trust me. I’m not even remotely kidding about that last bit. In fact, there’s no way I can convey how silly this book is. It is so silly that at various points, I expected Graham Chapman dressed as a Colonel to appear, declaring that this book was too silly to continue.
Alas, the latter would indicate that this book was funny. And it’s not. I initially read this book as a bit of high camp and was able to maintain this mindset (and therefore enjoy it to some degree) for about one third of the way, because the plot was too deliciously cock-eyed for me to take seriously: Kimber Edgington, the heroine, is in love with Jesse McCall, her childhood sweetheart (whom she hasn’t seen in almost a decade--whom she knew only for a summer when she was a kid, really). Jesse happens to be an international rock star with a taste for threesomes. Not the usual boy-girl-girl threesomes that are the stuff of fantasy for millions of males, of course. This dude’s into two guys and a girl. (Structuring this story any other way would’ve involved TEH GAY for the heroine.) So Kimber, in her quest to prove her everlasting love and commitment, decides she needs tutoring in the Ways of the Double Penetration, and seeks out Deke Trenton, a mercenary who used to work for her father and who apparently has a thing for threesomes.
(How does she know this? One of the more hilarious aspects of Deke’s fetish for this bit of vanilla kink is that it’s something everybody seems to know about, from sheltered girls in their twenties to random people in bars to the Kimber’s brothers to Kimber’s dad. Seriously: every time somebody finds out that Kimber is having a relationship with Deke Trenton, there’s usually some sort of horrified gasp (or inarticulate rage on the part of the brothers), followed by “Do you know what he’s into?” It makes me wonder how in the hell they’d find out something like that. Does the dude have a Wikipedia page? If he did, I’d love to see his history/discussion pages, because god knows he’s one hot mess.)
And when I say “he has a fetish for threesomes,” I mean it in the clinical sense. (The pedants in the audience will note that the fetish isn’t, strictly speaking, a fetish, because it refers to a sex act instead of an object or a body part. Look, just go along with me, all right? Pretend I said “paraphilia” and call it a day.) Seriously, Deke can’t work his dirk of manly passion unless he has additional male company. No, I’m serious. This dude hath not a workable stiffy unless another dude is there. Specifically, his cousin, celebrity chef Luc Traverson. This initially perked my interest--was Luc the Piers Gaveston to Deke’s Edward II, except kind of incestuous, which would make it somewhat more kinky? Alas, no. The true reasons why these two paragons of masculinity engage almost exclusively in threesomes are both much more hilarious and much more repulsive than using a woman as a conduit to express homosexual urges. But more on that later.
After a certain point, however, the sheer weight of the terrible prose crushed my sense of humor, and the only thing left to make it bearable was to read the more ludicrous parts out loud to friends.
The part that broke me? The part that made me throw my hands up and say “I give up”? Was when Kimber decides that her virginity is so special, she needs to save it for Jesse. And by “save her virginity,” I totally mean “have copious amounts of loud, sweaty, multi-orgasmic anal sex with two men she’s known less than a week.”
If this had been written with any sort of tongue in cheek tone, or with any sort of nod or wink to the sorts of people for whom anal sex is somehow a culturally acceptable way of preserving a façade of sexual purity (read: stupid, horny teenagers for whom obeying the letter of the law is much more important than adhering to the spirit), I would’ve cheered it for the bit of high camp it was. Unfortunately, the story tried to sell the heroine as being a smart, spirited young woman a little too hard while showing just the opposite in every turn.
Come on, now. Preserving your virginity with buttsecks. Look, I’m all for people enjoying the hell out of anal sex, and I’m all for people having it with as many partners as they can stand at one time. Just don’t pretend that you’re somehow protecting your sexual purity by having it--whatever sort of definition of “sex” you may subscribe to, I’m pretty goddamn sure just about everyone would agree that that having a man stick his cock up your ass qualifies as “having sex” with him.
But wait, there’s more! Deke, besides being incapable of fucking a woman unless Luc is there (NOT GAY NO NOT AT ALL), has a really, really strange complex about virgins. Namely, he’s convinced that fucking a virgin in the va-jay-jay means she’ll die. This is made into a Really Big Deal, and is also part and parcel of his sexual dysfunction in general and with Kimber in particular (NO REALLY NOT AT ALL GAY). This results in the best conversational exchange in any erotic romance novel, ever, when Kimber finally offers to allow Deke entrance into her cinnabar cavern of feminine wonder (because what she feels for Deke is even more speshul than what she feels for Jesse), and Deke, after pondering and sweating and struggling over this decision heroically, takes decisive action:
“Fuck!" he snarled.
He tilted her up again, her legs now resting on his shoulders, and positioned himself and began to push.
Into her back entrance.
Kimber drew in a great, shocked gasp, her hazel eyes wide. “Deke?”
“What the hell are you doing?” Luc barked.
Tensing a little more with every inch he pushed inside Kimber’s tight passage, the tendons on his neck standing out, the muscles in his arms shaking, assailed by the amazing sensations of being slowly enveloped by her tight, ready flesh, Deke could barely form a word. “Fucking her ass. Saving her life.”
Wow. Talk about a lifesaving procedure you’ll never see on-camera on, say, Grey’s Anatomy.
But wait, there’s more! When I read this part aloud to my friend Ben (who was the first victim of many), his immediate response, after he’d picked himself up from the floor, was “I’m in ur ass, saving ur life.”
And being the enterprising nerd that he is, he actually hunted down a picture and captioned it, LOLCat-style.
(Warning: the picture is pornographic. It seriously is. Don’t click on it, for the love of God, if you’re anywhere in the office, or if there are little kids or animals or sweet, sheltered little old grandparents within a direct line of sight of your monitor.)
So behold! The first instance of LOLPorn found on Smart Bitches.
Recovered from that yet?
No?
Too bad.
After that marvellous bit of characterization, the story chugs along completely predictable lines: Kimber is dumped brutally by Deke (who’s utterly freaked out at how attached he has become), reunites with Jesse, finds him to be not at all what her memories have made him to be, and is repulsed by Jesse’s regular threesome partner, a pretty boy with tattoos who drinks before lunch--evidence of moral turpitude if we’ve ever seen it.
And then a wacky suspense plot springs up out of nowhere and ambushes the rest of the storyline, putting Kimber in danger (remember, kids: it’s never acceptable to have the heroine save the hero’s ass, because that might mean he’s a pansy who can’t get it up unless another man’s also...oh, wait). All of this is a convenient way of getting Deke back together with Kimber so he can open up about his Deep, Dark, Loathsome, Virgin-Killing past--the explanation for why he never fucks virgins, and why he always has to have a wingman in bed. Are you ready for the secret?
Back when Deke was a teenager, he de-virginized his beautiful but highly unstable girlfriend, who became pregnant, got crazy, and killed herself.
That’s it. That’s the big, dark, tormented secret of Deke’s past. Which is actually a pretty good tormented secret, except that his reactions are both nonsensical and morally repulsive. When you attempt to unpack the implications, you come up with the following:
1. His avoidance of sleeping with virgins only makes sense if you accept that virgins are much more likely to become pregnant than other women. Because it’s not as if there’s such a thing as fertile non-virgins, or, you know, BIRTH CONTROL THAT WORKS RELIABLY.
2. Deke needs another man in bed so that if the woman becomes pregnant, he’d have another man to blame. Because in Deke’s universe, paternity tests, like birth control, do not exist.
In case you’re thinking that I’m inferring point number 2, let me assure you that I’m not. I am, in fact, quoting “another man to blame” verbatim from the book.
I could go on, but I think you get the point: this book is a trainwreck of unintentional hilarity. If ever there was a book ripe for MST3K treatment or a drinking game (take a shot every time a character starts a musing with “Damn"), this would be it. The sex scenes are pretty hot, I’ll give it that, but even those are subject to gems like “Fucking her ass. Saving her life.”
If you’re really into copious quantities of sweaty, distressingly hetero buttsex and a menage that wimps out in the end, you might enjoy this book. Me? I’m still recovering from the LOLPorn.
And really, if I had to summarize the book, I think the look on the porn actress’s face in the LOLPorn photo says it all.










by Candy • Sunday, December 16, 2007 at 12:38 PM
A friend of mine who was gently skeptical about romance novels expressed an interest in trying out one that I thought was especially good. Based on what I knew about her (she wanted something fairly lighthearted and escapist, and she can’t abide stupid heroines), I gave her a copy of Lord of Scoundrels.
She just wrote to me--she liked it! Stayed up reading way too late for two nights, even. BOO YAH and happy dancing all around.
I’m now plotting a strategic gift package of other smart romance novels that aren’t too horribly angsty and that feature strong, capable heroines. (Though I’m now afraid I might’ve spoiled her--Jessica Trent and Sebastian Dain are a difficult act to follow.) Here’s a short list:
1. Midsummer Moon by Laura Kinsale.
2. To Love and the Cherish by Patricia Gaffney
3. Miss Wonderful by Loretta Chase
4. Mr. Impossible by Loretta Chase
5. Anyone but You by Jennifer Crusie (if she likes Crusie’s style, oh man is she going to be inundated with suggestions)
6. Wild at Heart by Patricia Gaffney
I’m also contemplating giving her one of Sharon Shinn’s Samaria novels.
I’m really happy she gave Lord of Scoundrels a chance, because she picked up my copy of Decadent by Shayla Black (which I need to review after finals) and she was stunned at how terrible it was.
All About Romance has had discussions in the past about conversion kits--books you’d give to a skeptic to show them that underneath all that man-titty and heaving bosomage is a genre worth reading and exploring. What’s in YOUR kit?
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by SB Sarah • Friday, August 24, 2007 at 06:01 AM
Our Grade:
Title: Dear Sister
Author: Francine Pascal/Kate Williams
Publication Info: Sweet Valley 1984, ISBN: 0553276727
Genre: Young Adult

There is no shortage of items in this book that make me either want to (a) chuck it at a wall (b) laugh until I hurt myself, or (c) question why on earth I wasted so much of my parents’ money buying these stupid books.
But first, let me take you down memory lane with the opening description that pretty much marked the start of any Sweet Valley High book: When people in the sunny town of Sweet Valley, California, saw a five-foot-six gloriously attractive young girl with sun-streaked blond hair and sparkling blue-green eyes, they knew it was one of the Wakefield twins, but they couldn’t always be sure which one.
Only thing missing in the standard description - which appears on page 1 for God’s sake - is a mention of how the twins are a “perfect size six.” A river of dark, murky, growling ire runs through me every time I think about how many girls, myself included, were tortured by the idea that unless they met that ideal figure and description, they were not “perfect.”
But I’m not here to judge the sexism, racism, and fatism inherent in the Sweet Valley series, nor am I here to opine at the larger effect the series had on young women of my generation. No, no! I am here to tell you how bad this book was.
Was it bad? OMG. Please. It was fucking awful. And yet, I read it. And I paid .01c for it - which was still too much because instead of the drawing cover in the image above, I got one of the later copies of the book that features a photograph of the Daniel twins. In this one, “Elizabeth” is wearing perfect pancake makeup and is covered up to her chin by a hospital blanket so only her giant noggin shows, while “Jessica” is dressed marvelously in shiny iridescent pink taffeta and pink pants. I like the drawing version better, but hey, it was a penny.
Elizabeth Wakefield lies in a coma because she and her boyfriend Todd got into a motorcycle accident and while he’s fine, she’s nonresponsive. There is, of course, no mention of WHY she’s nonresponsive, or what injuries she sustained. She’s just in a coma. The story opens with Jessica sitting at her bedside, and the narrator going on for two damn pages about how usually you can’t tell them apart, but now Elizabeth looks like crapola on a crapola-colored cracker, and Jessica looks fabulous as usual. But Elizabeth is DYING do you hear me DYING.
Dear Lord.
No, sorry. Dear Sister.
Enter the doctor:
A hand fell on Jessica’s shoulder. Startled, she jerked her head up.
“Miss Wakefield?”
“Yes.”
“I could see the resemblance. You’re both beautiful.”
Jessica regarded the man in his white lab coat....
“I can only guess how painful it is for you to see your sister like this.”
“I’m so worried!”
The man stooped so his face was on a level with hers....
“My name is John Edwards. I’m the neurosurgeon on your sister’s case.”
John Edwards?! No shit! Hope is on the way!
I know, there’s no way the author could have predicted the name but still. Absurd mental image yielding to complete befuddlement, ahoy!
So aside from the vaguely inappropriate remark by Dr. John Edwards (who also is running for President and talks about the two Americas and the plight of those living below the poverty line, in case you missed the political subtext of the book) and the complete lack of response from Jessica, Dr. Edwards is here to set Jessica straight about her sister’s recovery in a scene filled with angst, emotion, and a whole mess of continued inappropriateness:
“Jessica, accidents happen. They aren’t anyone’s fault. And right now, blame isn’t important. Guiding Elizabeth back to all of us is. I’ll help, Jessica, but it’s really up to you.”
“Me?”
“Talk to her. Just talk to her.” Suddenly he turned, and Jessica saw anger and frustration in his face.
“Jessica, doctors can keep people alive with machines, but we can’t will them to come back to us. Sometimes, it doesn’t happen, no matter how much you and I want it. The only thing we can do is try.”
What the almighty fucking hell are you talking about, John Edwards? You’re the one with the neurosurgery specialty and you’re telling dipshit Jessica it’s all up to her? Dear Lord.
No, Dear Sister!
It’s all up to Jessica to bring Elizabeth back, so she starts whining and pleading with Liz to wake up already, that it’s all Jessica’s fault and everyone loves Elizabeth and whine whine, oh, the angst, the angst.
Add in some crying, some very awkward backflashes to how Elizabeth ended up in a coma in the first place, and it’s worse than anything by page 9. So far, this book is on the annoyance scale between fingernails on a blackboard and the sound of someone using a circular saw to cut ceramic tiles.
Then Dr. Edwards comes back into Elizabeth’s room while Jessica is promising never to forgive Elizabeth if Elizabeth has the audacity to die - and really, were I Elizabeth, given Jessica’s performance that might have been preferable.
Dr. Edwards tells Jessica that her self-flaggellation isn’t what he had in mind, and whereas I wanted Jessica to tell that dimwitted blowhard to get on with the doctoring already and enough with the pathos-ridden babble, Jessica listens to what he says, and starts chatting with Elizabeth as if Elizabeth could answer. So we go from angst to random bits of gossipy, self-absorbed crapola, including a hit list of the plot lines of the past six books of the series. You know how, during the Top 100 shows on VH1, like “Top 100 Utterly Ridiculous Pairs of Socks Of All Time,” they start off each new episode by playing a snippet of every video in that countdown? It’s like that, only instead of 100-10, there’s only six books of plot lines to go over, thank the good Lord.
Then, miracle of miracles, Elizabeth moans.
“You deserve a lot of the credit, Jessica”
“I do?” Jessica shivered with pride, relief, and just plain ecstasy. Elizabeth was awake and she’d helped....
“Liz. Hey Lizzie. Time to wake up.”
It’s only page 12! There’s a whole entire book to get through - and really, the back cover description makes it sound like Elizabeth will be blissfully comatose through most of it. No such luck for her, or for me.
Elizabeth’s eyes opened fully. She stared at her twin sister and moistened her dry lips.
“Jessica!”
And like that, It is ON - the un-blurbed plot that isn’t mentioned in the back copy. Elizabeth now thinks that she’s Jessica. Whoa, nelly. We can’t have two sixteen year old twins with impulse control issues who symbolically represent the Id without one of them representing the Super-ego. This is a disaster!
I won’t bore you with the entire book except to invite you to shuffle the following plot cards. No matter what order you choose, you’ll get the basic plot of the book.
1. Elizabeth does something very Jessica-like: e.g. is thoughtless, self-centered, flirtatious, and generally awful.
2. Jessica notices that Elizabeth is “different” or that “something is wrong,” but doesn’t know what to do.
3. An ancillary character notices that Elizabeth is “different” or that “something is wrong,” but when that character mentions their concerns to Jessica, ol’ Jess blows up at them for saying something unkind about her Dear Sister.
4. Jessica has to save Elizabeth from one scrape or another, such as getting into trouble with their parents, or going out past curfew, or failing a test.
5. Elizabeth tells Jessica she’s being a stick in the mud.
6. Jessica is pissed off that she isn’t having any fun because Elizabeth is getting all the attention for her short skirts, sexy flirtation, and utterly Jessica-like behavior. It’s a double-switch identity crisis. Oh noes!
Enter Bruce Patman, the slimeball rich kid who took advantage of Jessica in an earlier book, and has had it in for her, and for Elizabeth, ever since. Elizabeth, it seems, has given Bruce the brush-off ever since he dared mess with Jessica, and since Elizabeth is an unfailingly loyal and utterly milquetoast kind of girl, she sides with Jessica and hates Bruce.
But Elizabeth-acting-like-Jessica thinks Bruce is atche-ay-dubble-yew-tee HAWT. Elizabeth-as-Jessica thinks her boyfriend, Todd of the motorcycle of coma-inducing power, is coma-inducing himself, and wants nothing to do with him. She wants Bruuuuce. And Bruce is very pleased with this turn of events.
Now, it would have been very sexy, and very intriguing if there had been a subtext of vindication or even validation for Bruce: he’s a slimeball, but there was ample opportunity to turn him into a slimeball who could be cured by the power of Luuuurve™. Of course, that does happen later, but for now, Bruce wants to get in Elizabeth’s pants and he has nefarious intentions with no emotional redemptive possibilities behind them. He’s a date rapist, pure and simple. He tries to get her drunk at a party, and Todd rescues her. Then Jessica tries to intervene, but not before Bruce escapes (in his Porsche, of course) with Elizabeth to take her on a tour of his beach house.
Bruce...pulled her onto a large white couch and began kissing her again.
“Ummmmm, Bruce,” she murmured.
“You like this, don’t you Liz?” He let one hand slide lightly onto her breast, waiting to see if she would protest.
“That feels so good, Bruce. “ Elizabeth sighed and ran her fingers through his dark hair, then pulled him closer.
Elizabeth couldn’t see his triumphant smile and didn’t know he planned to gloat about his victory over the girl who had always snubbed him.
And there you have it: the moment my young pre-teen self almost passed out. Bruce copped a feel and they used the word “breast” in a Sweet Valley High novel.
As a not-at-all-pre-teen reading the scene? My reaction was somewhere between, “Oh, yawn” and “Dear Lord.” Also Dear Sister.
So can I spoil the ending for you? It’s just too doofy and unreal not to.
Elizabeth and Bruce kiss their way upstairs, and it looks like Bruce might actually get into Elizabeth’s pants, when he decides to go downstairs for more wine (and one would hope, a condom). Elizabeth, confused in the dark, starts hearing a buzzing in her head, trips, and slams her head on a table. She doesn’t know where she is! It’s a strange bedroom! She doesn’t remember getting there! And then Bruce Patman walks in with wine and a big leer, and she goes running out of there, completely terrified.
She goes right to Dr. Edwards, the neurosurgeon, right? Gets herself the mother of all CAT scans?
Ha. Dear me, no.
She goes running down the beach away from Bruce.
It was wonderful to know who she was and where she was again. A brilliant moon sailed through the dark sky, and she wanted to yell, “Hi there, you old moon!” She wanted to thank the stars for still shining. The sound of the surf crashing on the beach was a symphony.
Dear Lord. [NO, Dear Sister!]
It’s an amnesia storyline except that Elizabeth had no idea that she was acting out of character. She never confessed to not knowing who she was or to even the slightest bit of confusion, until she whapped her head on a table and realized she was about to do the boingy-boing with Bruce Patman. Only then does she remember that she didn’t remember but now she does remember - and I’d sure like to not remember I read this book, personally.
Elizabeth runs right into Todd, who “looked for a moment into Elizabeth’s eyes.... those beautiful sea-colored eyes were the ones he know, the tearstained face was the one he loved.” It’s her! It’s really her! And Elizabeth is all teary because she doesn’t understand what’s going on.
Are they on the way to the neurosurgeon yet? Of course not. They go… walk on the beach! Because Elizabeth is back to being Elizabeth, and all is well.
One of the reviewers on Amazon, an Australian named “Nu-Girl,” writes, “How Elizabeth finally regains her memory and identity in the dark is so simple, so rational and yet so wholly unexpected that it neatly merges with the escapist / fantasy tradition of this genre without losing its believability.”
I don’t know about that - there’s no neat merging for me, nor is it the slightest bit rational. And believability? What malarkey. The whole resolution is unbelievable, not to mention enough of a blue-balls read to make me and many, many other readers turn to more satisfying romance novels, where the word “breast” is one of many words used to describe the hummuna-hummuna action.
What I find amusing is how many readers share that experience with me - this book somehow led them to look for more satisfying reads in a sexual and emotionally climactic sense, and ultimately led to a romance reading habit like mine. I suppose I should have some feelings of appreciation for Dear Sister, but really, it just makes me say repeatedly under my breath, “Dear LORD.”
And finally, the winner of my Dear Lord It’s Dear Sister contest! It took me 42 minutes to read this book, and I dog-eared 30 pages. My grade: D-.
The person who came closest to guessing was : Jaynie R! Congrats Jaynie - enjoy your free books. Maybe if you’re lucky my copy of Dear Sister will be one of them! MWaaaahahahahahahahahaaaaa.





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