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Link the first: New York Magazine reviews Toby Barlow’s Sharp Teeth,
a werewolf story told in poem format.
From the review written by Sam Anderson:
Anyone terrified by the rigors of poetry—its arcane references, pickled language, and subtle Keatsian line-stitching—has nothing to fear from Sharp Teeth. Its verse is prosy, slangy, aggressively unchallenging, and very, very, very free. Occasionally a tiny herd of iambs will break free and gallop in formation (“they kill to fuck, they kill to eat/and they sleep in the noonday sun”), or nouns will line up in rhythmic strings (“Bone, love, meat, gristle, heat, anger, exhaustion, drive, hunger, blood, fat, marrow”), or a sentence will fold itself neatly into a couplet (“Smiling straight into Venable’s eyes/Cutter chews up the last of the fries”). But most of the book reads like nice snappy prose arbitrarily pinched into fragments. Its tone is often so determinedly anti-poetic it would have made Wordsworth (advocate of “language really used by men”) vomit into the nearest cold lake....
Werewolves in poem format? Holy cow. Romance fans have been reading about lycanthropes ad nauseum. I’ve read many of the werewolf romances, and some, like Armstrong’s Bitten
are on my personal top ten best romances list. Not a mention of the prevalence of paranormal lunarly-hairy folk in the romance genre in the article, of course. You’d think the whole werewolf thing just popped outta nowhere.
Link the second: First, glaze your eyes at the odd juxtaposition of Fabio depicted in an article about Mills & Boon’s 100th Anniversary, and try not to get too upset over the tired and limp romance stereotypes being flung about with heedless abandon. No, wait, I have to leave a note to any author being challenged on her career of writing romance: you do yourself and the genre NO FAVORS by being snide about “pretentious literature” when defending your own. You can stand up for your own work without demeaning the work of others.
Now, imagine this article in the hands of the ever-so-creative Amazon.com Statistical Analysis Team:
The books certainly have a special place in Hilda Raine’s heart. Indeed, she believes the novels, as well as a passion for Liquorice Allsorts, have helped her live to a ripe old age.
The Sunderland grandmother-of-two, who celebrated her 104th birthday last week, reads up to 10 romance novels each week – all published by Mills & Boon, of course.
“There is no bad language in them, but very often there is a good sense of humour, which makes them lovely to read. They make me feel happy,” said Hilda.
“I don’t like to sleep all day, I like to read a good Mills & Boon instead. It is good for you, and keeps your brain and eyes working together.”
Staff at The Croft Care Home in High Barnes, where Hilda has lived for the past 12 years, have even set aside a special reading corner for her and her beloved books.
“I don’t have a favourite; I love them all, although I do like a nice family story. I could sit reading them all day. Well, I do actually!” she said.
“Do they make me feel young again? Come off it! But reading a Mills & Boon helps to pass the time beautifully, as I’m a bit of a romantic at heart. Well, aren’t we all?”
Hilda was just four years old when young entrepreneurs Gerald Mills and Charles Boon joined forces to launch Mills & Boon back in 1908.
I can see the headline now: Romance leads to longevity! Read romance, and you’ll live to be over 100!
Link the Third: Thanks to commenter and journalist Sara Brady, Smart Bitches has made the big, big hugely huge news: we are in the Metro! The Metro is a free paper distributed to commuters all over Manhattan, and that huge collection of half-awake uncaffeinated readers got a treat today: Brady’s article discusses the state of the romance genre. What, a positive article on romance? Boo yah! Well played, Ms. Brady!
And finally, in honor of Super Tuesday, and the half-asleep up-since-2:30am vote I cast this morning: a saucy graphic for your enjoyment. Ok, well, I enjoyed it. But I like Varga girls.
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by SB Sarah • Saturday, January 26, 2008 at 10:31 AM
Courtesy of Jeaniene Frost who sent me much linkage, avast! A story so delicious, you’ll stick your own foot in your mouth.
Reporter Jane Henderson of the St. Louis Post-Dispatch posted on her St. Louis Today book blog an entry that has made a lot of people reach for their high blood pressure medicine. In her entry Laurell K. Hamilton knock-off for teens? she discusses a galley she received of Melissa Marr’s Ink Exchange
, a YA paranormal novel about a teen who gets a tattoo and finds herself involved with the Faerie Court. Marr also wrote the highly acclaimed Wicked Lovely.
Henderson finds the similarities between the book - despite not actually having read Marr’s novel - and Hamilton’s Merry Gentry story startling.
Herein begins what I think of as The Hat Trick of Stupid Things Written in One Entry and One Comment. Hold onto your feet, folks.
Of course the cliche is that ‘imitation is the sincerest form of flattery’ but where does flattery end and copyright infringement begin? The book’s jacket even looks like the photos on Hamilton’s books.
Shit, if plots involving faeries are all infringing upon one another, especially in the legally sharp mind of that reporter, imagine the future wasteland of legal action to be enjoyed by each and every story featuring a vampire: “Your character sucks blood! MY Character sucks blood! YOU SUCK AND YOU ARE GOING DOWN, BEEEEYATCH!”
And the covers are similar? They do resemble the Jean Butt trend - except that Marr’s cover isn’t a jean butt so much as a shoulder. And doesn’t resemble the Hamilton cover as much as it does other YA books attempting to market a seductive tale to the YA market.
But wait we’re not done. Not satisfied to toss around the words “copyright” and “infringement” with such abandon as to make a barrister blush, Henderson goes on to say:
Another issue: A lot of parents might not think this series should be marketed to 12-year-olds, as it apparently will be. There’s a lot of difference between a 17-year-old girl and a 12-year-old girl.
On the other hand, most of the popular series being marketed to teen girls seem to involve beauty, sex and lots of designer purses. Maybe fantasy tattoos and paranormal love interests are no worse. I’m not suggesting that books lead girls down the path to teen pregnancy. But with the sexualization of girls starting so young in all facets of culture, should parents speak up about what they see? Thoughts?
Wow, did you miss that jump? Let’s recap in slow motion like we’re a sports show: This book with a 17 year-old protagonist may be marketed to 12 year old girls, just like many other popular series for young readers that feature slightly older protagonists. Speeding up past beauty! Sex! Designer purses! Fantasy Tattoos and paranormal love interests! And then we come to a SCREECHING HALT AT TEEN PREGNANCY! Whoa!
Holy. Shit.
Man, that was a Could Have Been An Interesting Question About Teen Sexuality blindsided by some WTF-tastic non sequiturs. Oooh, ooh can I try? Can I? Here’s mine! “Are book covers for YA novels more sexy and dark in imagery now? Yup. Sure are. Have prom dresses been skimpy and over-sexualized since I went prom dress shopping 15 years ago? Sure have! So are YA novel covers reflecting a sexualization of young people that’s been a standard for years? Possibly - but then, the novels often depict consequences or at least some healthy dose of reality for that sexual exploration, whereas mere images just contribute to the glamour of it. But then, I actually read YA novels, so I don’t know what I’m talking about at all.”
And the finale to this jaw drop of a newspaper book blog entry: Lindsay York Levack of the blog UrbanFantasyland sounds off like merde and mon dieu on Henderson’s request for “Thoughts?” by nailing a 5 point list that knocks the extraneous bullshit off Henderson’s entry, and addresses the points Henderson attempts to make about YA, sexuality, cover images, faerie tales, and writing. York Levack ends with a pointed, “Do your homework.” Well played, Ms. York Levack.
Melissa Marr, the author, commented on that entry and said that, surprisingly, she did have input to the cover art, and thinks that it’s an “iconographic image that ties to the plot.” Further, Marr says,
Interestingly, the idea that a fully clad, not sexualized girl with wings is similar to LKH’s covers does confuse me a bit. No bare midriff or legs, no scanty attire–instead it’s a face and upper back . . . Hmm. To each his/her own, I guess.
Another well played for you, Ms. Marr.
And for you, Ms. Henderson: NAUGHTY CORNER! No Cookie! Why?
Her commented response to the Urban Fantasyland entry on her own blog:
The cover of the teen book is very similar to Hamilton’s covers, and the stories do sound similar. However that applies to many books. In the romance genre, it’s sometimes hard to tell one author from the next.
If you read carefully, you’ll note that I did not make any untoward accusations or accuse the new book’s author of anything illegal. In fact, for many authors, being compared to Hamilton would be a compliment.
It’s not YA, it’s romance! And she brings in that 90-year-old creaky, arthritic dog of an accusation (Oh, please let the poor thing lie the hell DOWN already): “You can’t tell romance novels apart anyway.”
Not to be outdone, Ms. York Levack responds to Henderson’s comment on UrbanFantasyland lining up both the cover images, and the book summaries of Hamilton’s and Marr’s novels, delivering a many-word WTF Smackdown.
I agree that many authors would consider comparison to Hamilton a compliment– many authors of adult stories would. However, (1) you did not compare Marr’s work with Hamilton’s. You accused her of being a “knock-off” and of “taking a page”. This is not a comparison. This is a suggestion that Marr got her ideas from Hamilton. (2) If you are going to compare authors, please stick to authors of the same genre, same target audience.
And finally, the idea that you did nothing illegal is questionable. You have, by way of comparing adult-content with teen-content, damaged an author’s reputation with potential readers.
After a brief detour into the world of defining slander, York Levack again chastens Henderson most severely and ends with “...read the book first. Don’t start by comparing one author’s sexually charged work with another author who has sensitively navigated the issue of sexuality.”
Henderson responds by saying
I have read some of the upcoming book, “Ink Exchange,” and I have plenty of evidence for what I’ve written. There is nothing untrue about my comments, which are my opinions, and I am not intimidated by cyberbulling.
CueGennita Low’s Greek Chorus: You’re Soooo MEANNNNN!” Yes, disagreeing with you vehemently and calling you on things you wrote is exactly the same as bullying. Except not at all.
I see more than 300 books a week in my office. I have been a book editor for more than 12 years and when I say that something looks like a “knock-off” I have the experience and evidence to back that up.
My last thought before I go lie down and snuggle with that dog: You’d think after 12 years and 300 books a week, Henderson would know the difference between YA, romance, and adult paranormal fiction, let alone have developed some foresight before declaring a YA paranormal novel a “knock off” of a novel featuring exceptional degrees of explicit adult sexual content. And, for that matter, the difference bullying and incensed disagreement.
















by SB Sarah • Friday, January 18, 2008 at 10:42 AM
While we’re on the subject of the Harlequin/Silhouette titles, most specifically the Presents line, take a look at this: The Romantic Novelists’ Association has announced the shortlist for the Romance Prize for 2008. The finalists are:
Now here is where I get confused: Julie Cohen’s book is about to be released in the US, but under a different title: instead of Driving Him Wild, we American folks will have to look for His For The Taking
.
What the shitting crap is that all about? I’ve long refrained from reading too much into the category titles because it might make my head spin around on my neck, but take a look at that: “Driving Him Wild?” Female in control. “His for the Taking?” Lie there and take it! What kind of passive female crap is that?! American audiences prefer a male-dominant title? That’s pretty much the only conclusion I can draw from the decision to change the title, unless one of the new marketing hook words is “Taking.”
I’d like to be Taking this opportunity to ask: what the hell is up with the titles, yo? Seriously? Not just that one - all of them!
The decision to change Cohen’s title makes little sense to me. As a rule I think American audiences are sophisticated enough to appreciate cultural differences. I don’t think Harry Potter needed to be Americanized because we Yankees are too dim and navel gazingly xenophobic to appreciate the differences between a philosopher’s stone and a sorcerer’s stone, let alone what “troll boogies” are. Bend it Like Beckham was nearly released in the US as “Move it like Mia” and that was just ridiculous. I’m sure Beckham himself appreciated the slight boost in his American credibility anyway, seeing as he and Posh are all over the US right now. (Aside: a note to Victoria Beckham - we Americans are on the whole a happy, boisterous lot. It would probably help you a bit if you smiled, you know, every now and again.)
But I can’t place the change from “Driving Him Wild” to “His for the Taking” on cultural differences, unless there’s a huge community of Dominatrixes that buy Mills & Boon in the UK, whereas female subs comprise more of the Harlequin buying audience in the US.
Cohen’s title change really befuddles me, about as much as the whole titles question for the Presents line does as well: I ask again, what the hell is UP with the TITLES?
I realize the simple answer is that it’s all about marketing, but I am long past the “yeah yeah it sells yadda yadda” argument. I want to know WHY these titles with hookwords like “billionaire,” “tycoon,” “cowboy,” “boardroom,” “viking,” “Roman,” and, for crap’s sake, “Mistress,” sell, even if there’s a vocal group of readers, including myself, who find them insulting, demeaning or at the very least irritating.
Kimberly Van Meter left a comment in the entry about our RN.tv discussion about categories that read: “Don’t let the titles scare you. We don’t have any control over that stuff.” I am well aware that authors don’t have much control over titles, much less cover art, so believe me, I know it’s not up to the authors.
Kate Hewitt commented in that same thread, “Authors have *nothing* to do with the titles, and I don’t know a single author who likes them. That’s just marketing. They also come way after the book has been plotted, written, and accepted for publication.”
So who is it that likes them? Or is the question really how consumers of the categories thus titled use those titles in their buying decisions? Do consumers of the categories look past the titles because they know not to pay attention in the first place, or do they perhaps use the keyworded titles as indication for a specific type of story? Thus the “Tycoon” title is one word shorthand for a specific type of romance, where as “mediterranean” is shorthand for another?
From my perspective, I don’t see how it isn’t counterintuitive to closely word all the titles in the first place. Wouldn’t it be self-defeating if someone’s looking for a book they heard was good and they conflate (2 pts!) the title words and go home with a horrible “Billionaire Sheikh’s Mistress” when they were looking for the excellently written “Mistress of the Billionaire Sheikh?”
It’s almost like a secret society - the readers who love categories know to look past the titles. But that’s not much of an allure to someone like me who looks at the covers and the titles and says “What the crap are the publishers thinking?!”
Bottom line? eBooks from Harlequin rock my world because I really want to read category, and some of the category romances I’ve read have been exceptionally skilled pieces of writing, but let’s me be blunt: being seen with an Asus or a Bookeen is a LOT more reassuring to my pride and my professional identity than being seen with “The Billionaire CEO’s Virgin Boardroom Mistress.”
I’m not saying that because I give a shit what people think of my reading material (I so do not) but because I think titles like that in the wrong circumstance could get the reader into some hot water.
So, what is with the titles? Do you buy them? Do you like them? Honestly, please speak up. I’m not looking to pound on you for your taste - if anything, we here at Smart Bitches are enthusiastic defenders of your right to enjoy whatever you want even if other folks think it’s in poor taste. If some of the authors don’t like the titles, and I and other consumers don’t like them either, who are the people that do, and why do you like them?









by SB Sarah • Thursday, January 17, 2008 at 09:13 AM
It's that time of year: we're t-minus one month away from Valentine's Day, and it's time once again for media outlets to start pestering the romance writers because certainly romance writers, they are More Romantic and Sexy than the rest of us mere mortals. Pass the feather boa, because I need one to finish this entry.
A brilliant author forwarded me the following request from the Washington Post, and it is so over the top, well, judge for yourself:
Dear Romance Writers,
For a Valentine's Day story for the Washington Post Home Section, I'm
hoping to feature the bedrooms of a couple of local romance writers (who
better to create a romantic ambience [sic] than you creative ladies? And if
there is a man among you with a romantic bedroom, that would be totally
cool).
I'd appreciate it if you could send my query to your Washington area
members to explain what I'm seeking:
*A couple of digital pictures of your romantic boudoir, preferably in
daylight (even if it was designed to look fab in candlelight).
* You should be in at least one of the photos, since if you're chosen, you
will probably be in the picture. (Feel free to wrap yourself in a feather
boa or come-hither pegnoir).
*Your bedroom certainly does not have to be "done" by a professional
designer or decorator, but it should look good (if you want to declutter a
bit before photographing the space, by all means, have at it).
*The rooms do not have to be frilly/girly/pink, Victorian or any other
stereoptyical romance-writer look. They can be Zen, minimialist, historic,
Art Deco, Scottish tartan, country, shabby chic, cowgirl funky, whatever.
The room just has to telegraph Romance and Love.
*Those of you who want to share your sanctum sanctorum should include a
couple of paragraphs about what is romantic about it (extra points given
for a heart shaped bed), and perhaps where some of your favorite things
came from (great granny, your first great love, Wal-Mart, Sotheby's),
* I'll need your real name and your nom de plume, as well as a daytime
phone number so I can get in touch with you. Practically speaking, the
rooms we choose will probably have to be no further than 50 -75 miles from
downtown Washington so we can get a Post photographer there to shoot it.
Ladies, this is your chance to spread a little Romance Writer Valentine
cheer to your readers and to ours. I do hope you'll spread the word. I
need the images and little eassays [sic] in hand by Jan. 25 so we can shoot the
following week.
Thanks in advance for all your help. I remain,
Breathlessly yours,
----
Oh. Holy. Shit. I started to giggle at the pegnoir but by the time I got to “extra points for the heart shaped bed” I had tears running down my face. Oh holy crap in a crap-shaped bed. Scottish tartan! Cowgirl funky! Oh, sweet holy shit.
First, in case this reporter is looking for what a Smart Bitch bedroom looks like: picture a large room with a bed and the following items: 1.4 metric tons of cat (because somehow they become the size and weight of ponies when they snuggle into the foot of the bed and take up ALL THE ROOM WTF), 8 spit up rags for baby with reflux, tv, clicker, and laundry. Lots of laundry. Oh, how romantic. Especially the spit up rags.
Second, what the crapping crap is this? Right after assumption #1, that we romance readers are all dim and enjoy icing-frosted masturbatory fantasies so long as they’re sheikh-y or Lordly, here comes #2: the romance writers all live in a frilly, fantastically tartan-lace wonderland, and don’t buy beds that are comfortable. They buy beds that are heart shaped.
Question for the Sci-Fi writers: do people assume you have bathrooms outfitted to mimic a transporter platform, complete with silver toilet? And you Women’s Fiction writers, do you have boxes of tissues on every flat surface? And Fantasy writers wear tights and wings, right? Wait, as long as I’m riding the Magic Assumption Train into The Land of Overused Metaphor, let’s go for the subgenres! Paranormal romance writers - you get kinky with the vamp teeth and the furry suits, right? And you sleep in coffins or caves? Harlequin writers have bedrooms made up like harems or Roman temples or boardrooms (that cannot be comfortable) or obstetrics offices (there are a lot of babies after all) right? And historical writers, how’s that corset?
Hello? Bueller?
Either way, I absolutely cannot wait to see that article about the bedrooms of romance writers. Srsly.


















by SB Sarah • Wednesday, December 19, 2007 at 07:02 AM
- It is news around the world - a top story - that Jamie Lynn Spears, Britney’s 16 year-old sister, is pregnant.
- Comments following that story like cars on a really long ass train are words like “white trash,” “trailer,” “stupid,” “idiot,” “low class,” and “what the fuck?”
- Because place of birth, intellect, present domicile and access to fame and attention definitely contribute to increased rates of teen pregnancy. And only poor people find themselves with unplanned pregnancies.
- Really, is it a surprise that, given the state of the American political attitude toward women’s health issues, birth control, condom availability for teenagers, and sexual education among young people, that a 16 year old got pregnant?
- Obviously, money and some external standard of behavior and style are the real defense against unwanted, unplanned pregnancy.
- Reforming our collective attitude towards sex and birth control, and lobbying to make birth control options and sexual education available to young people in the US, that’s not the answer at all. No, no, no. Can’t have young people having access to affordable birth control. Or information about sexual reproduction.
- Imagine the stink if she had elected to have an abortion and THAT story got out. Poor kid.
- It’s much more productive to roll eyes, point and sneer, laugh and make jokes about some 16-year-old sister of a deeply troubled and self-destructive famous person because she got pregnant unintentionally.
- Yeah, that makes sense.
- I’m going back to my news fast, (which won’t do me much good because this story is freaking everywhere) because I can think of ten or eleven better things to do with my time than make fun of a 16 year old who is in a really tough position, AND has to deal with being a top story around the world on top of her unplanned pregnancy.
- Can you imagine? Most teenagers who find themselves with an unplanned pregnancy deal with having friends, family, and strangers talking about them. Spears knows that people around the world are talking about her. Holy shit.
- Number one on my list of better things to do: a donation to PlannedParenthood.
- Hey, cool! Between now and 31 December 2007, all gifts are matched up to $250,000. (Please note: I’m feeling profoundly squidgy by passing that info on, like I’m telling you what to do with your money. I’m not.)
- Take that, Bill Napoli and anyone who stands in the way of open dialogue with young people in the US about sexuality, reproduction, birth control, abortion, and women’s and men’s sexual health issues.