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Cassie Edwards: Remarkable Similarities to Pulitzer-Winning Novel, Laughing Boy

by Candy Sunday, January 13, 2008 at 11:45 AM

Part of a series: Cassie Edwards 1: The First Post | Cassie Edwards 2: Savage Longings | Cassie Edwards Part 3: Running Fox | Cassie Edwards Part 4: Savage Moon | Cassie Edwards Part 5: Savage Beloved | Follow-up: Penguin (Part 1?) | Official Statement from Signet | AP Article Contains Response from Edwards  | RWA Responds to Allegations  | A centralized document for the Cassie Edwards situation | Updated Statement from Signet | The NY Times Art Section Story | Cassie Edwards: Remarkable Similarities to Laughing Boy


Update! Thanks to Raj and Gemma, I now have included more complete quotes from Laughing Boy. The table below has been updated accordingly. All Hail Amazon.com Previews!

When Amy, one of our readers, contacted us and volunteered to check some Cassie Edwards novels for us, I said “Sure!” and expected more examples that have been typical to the pattern: passages lifted from old ethnographies or Native American memoirs, with scattered instances of wildlife articles from conservation organizations or encyclopedias. Several other readers have volunteered to look at various Cassie Edwards novels, and I was going to compile these instances into the PDF I’d created to document everything, and update the PDF without creating any new posts, because really, we’ve made our point: the instances are widespread and egregious, and people who aren’t interested in tracking this closely don’t need to have their faces rubbed with blow-by-blow updates.

What I didn’t expect in my inbox last night was a comparison from Amy detailing the similarities between passages in Savage Dream and Laughing Boy by Oliver La Farge.

Laughing Boy, unlike the other works, is not an ethnography, academic book or memoir. Laughing Boy is not only still under copyright, it is a fictional novel published in 1929, winning the Pulitzer in 1930.

This, in my opinion, drives the sheer wrongness of what happened to new heights. Using passages, word-for-word, of research material still isn’t a good thing by a long shot, but I can understand somebody being confused about the protocols of how much to acknowledge in a work of fiction. Using descriptive passages from another work of fiction, however, changes the tenor entirely. I talked to Sarah about posting this—I was very leery of driving the point into the ground when it’s been made with ample clarity—and we both agreed it was a different thing than the multitudes of other instances we’ve found, and that this deserved its own post.

Below is the table Amy compiled, comparing Savage Dream with Laughing Boy. I’m not bothering to include the reference works used in Savage Dream; I’ll be updating the PDF in a few hours and you can just look at that. I want to focus on the fact that this particular instances involves a work of fiction, and how it changes the tenor of the situation in a fundamental way.

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