Smart Bitches Trashy Books | All of the romance, none of the bullshit.

Fast forward a few years, and we meet our statuesque heroine and orgasmless widow, Kate Abbot. To her credit, Kate loved her husband, even if he was weedy and bespectacled and lousy in bed and womanish enough to die of consumption. (Side note: my personal experience has been that weedy, bespectacled boys tend to be good in the sack because they KNOW they have to compensate for their lack of studly good looks. Also: they’re usually very, very happy to get a girl and tend to be, well, accommodating, shall we say… Anyway, enough TMI, back to reviewing.)

Kate moved to Barbados following her husband’s death to be with her brother, who’s a commodore. One day, while accompanying her brother on parade inspection duties on a military compound, she notices a prison warden brutally beating a chained prisoner with a riding quirt. What does a gently-reared, recently widowed Englishwoman do?

The only thing she could do, of course. Run over (with skirts hitched up to her knees, no less), wrench the quirt from the warden and start beating the everloving snot out of him, while the prisoners watch on, appropriately speechless.

Naturally, she feels indignant when her brother tells her off for being a crazy-ass bitch. Now, I’m fairly used to feisty romance heroines, but this woman deserves a whole new category. Like, a “Tonya Harding On Altruistic Crack” category. OK, I’ll admit I enjoyed how the prison warden got his ass handed to him, because I generally enjoy watching and reading about women kicking patoot, but there was a definite “Oh are you SHITTING me?” feeling to the whole scene.

Anyway, one of the prisoners immediately decides to take advantage of the proximity of convenient hostage material and nabs our winsome Kate. This man is, of course, no other than Colin Wyndham, scheduled to hang for the crimes of patricide and piracy in just a few days. Using Kate as his bargaining chip, he manages to free his fellow prisoners (including the members of his crew who were captured with him) and scarper back to his ship, the Blackbird, conveniently anchored, unguarded and fully-manned, in a nearby cove. Which, again, are you SHITTING me? The pirate captain and key members of the crew are caught, but the military made no effort to find and secure the ship when it’s just minutes away?

The rest of the story involves the chase as the Blackbird tries to make its way to the relative safety of Tortuga, and Kate’s seduction by Colin, who is, as Kate’s brother noted, “ever popular among the strumpets” (hee!). Oh, and then there’s a plot twist, which I won’t give away—no, not even with the turn-text-to-white spoiler thing I do every now and then—but trust me: out of all the hostages in all of Barbados, Colin is lucky indeed to have nabbed this particular chippy because she’s the key to saving his ass and proving his innocence.

Overall, Draven’s writing style isn’t too bad. It does verge towards lilac in spots, especially the love scenes, but I’ve read a lot worse. The use of some standard romance cliches (the orgasmless widow, the feisty heroine who’s willing to take on all comers and come on all takers [no, wait, I only WISHED Kate had come on all takers] despite what one presumes is a sheltered upbringing, the emasculation of the first husband) didn’t thrill me, either, but at least Draven didn’t take it all the way and make, say, the husband abusive on top of being sexually ineffective.

The story does suffer from significant pacing problems, though. The novella starts in a very leisurely fashion, as if it were a full-length novel. The set up is quite good as a whole, aside from Kate’s impression of a certain batshit insane figure-skater-turned-pugilist, but it’s not suited to a 54-page story. As a consequence, the last few bits are incredibly rushed, and Kate happily tumbles into bed with her captor after only a few days at sea and a really good dinner conversation. It’s not that I don’t think this sort of thing can happen; I just didn’t buy into it in this particular instance because I didn’t get to see Kate interact all that much with Colin, and what little interaction there is, is antagonistic up until the dinner and the performance of the humpty dance. And as I noted before, I didn’t know this wasn’t a stand-alone story, and the ending perplexed me until I e-mailed Draven for confirmation that yes, there WILL be a sequel.

In short: this novella would’ve been a lot better if it had been much more even in tone and pacing, instead of being crispy on the outside and doughy and unset in the middle. And not in a good way, like a chocolate lava cake. More like a chiffon cake that hadn’t been baked long enough.

Sarah:

We need to make a category for “erotica/romantica” on our site because Candy and I both like us some romantic nookie action. That being said, there was not nearly enough erotic action for this to be an historical erotica novella. There was a hot, descriptive, cock-laden love scene, but there wasn’t a powder-keg build-up of tension or any other sexual interaction, just a minor spat over dinner that led to some in-and-out sex.

The other element that I felt was missing was a full twist on the established cliches. Draven already made her heroine tall, and curvy, and buxom, and contrasting her with the dainty and petite sister in law made it clear to me she wasn’t the average romance heroine. Add to that her incredibly short-sighted assing of the prison guard and I get it loud and clear: she is not average.

But then, to make her an orgasmless widow, it’s like when a figure skater (to keep up with the Tonya-Harding-on-Altruistic-Crack analogy) goes up in the air to spin four times before landing, and her leg pops out and she manages just one half of a twist before landing. Making Kate an Orgasmless Widow is the author’s leg popping out of her midair twist-on-cliche. Candy is right: the nerdy guys learn fast how to get it on. So why not have her a multi-orgasm widow? Why not have her hungering for some man action as she sits in her black dresses unable to really socialize with anyone aside from family? The restrictions of mourning on women at that time were pretty daunting; granted there was tremendous freedom once one came out of mourning, but still, being able to take a lover and finding that same companionship as she had with her husband would be very difficult. To make Kate this tall, strong, powerfully tempered woman, then to sell her short in the sex department, left me with a, “Darn it, why not go all the way, here?” feeling. And really, it’s an erotic novella; it should go all the way, circle around, come back, and go all the way again.

Now, I feel like a right heel for doing this, because I’m second guessing the author’s decisions, but I have to say it. Suppose for a moment that she was a multi-orgasmed widow, desperate for action. And she gets herself kidnapped and held on board a pirate ship with a hot, manly captain who has been in prison for quite awhile, and prior to that on a ship full of men. Now thems is some sex-crazed individuals, and a ripe scenario for an erotic novella. As it is in present form, the orgasmless widow and the well-sexed-but-not-recently hero who just got sprung from prison, is a solid thump back into cliche-land. While I am shamed to find myself being something of a backseat writer in this review, I have to point out that this particular cliche was surprising to find in an erotica novel, many of which exist to twist cliches of romance and sexuality on their ears and spin them around some more.

Aside from the TPS report Candy sent from the Too Much Reality Suspended Department, from the eagerly awaiting pirate ship, to the fierce attack on the guard, my disappointment in this novella rests mainly in the lack of action - nookee action. I have no problem suspending reality, and really, sometimes some over-the-top fantasy in a romance makes me very happy to leave my own reality and live in such a completely convenient world. But leaving me with an, “Oh, but...” feeling is not enough of a reality suspension.

However, that all being said, the writing style is snappy - there were parts of description that could have been explicated, but Draven does have an ear for language that depicts an engrossing image, and her dialogue, particularly between Colin and Kate, is snappy enough to keep me reading. Even if the cliches piled too high for my liking, good dialogue will redeem a story with me any time. Arrrrgh.