





by SB Sarah • Friday, July 06, 2007 at 09:13 AM
Our Grade:
Title: Rises the Night
Author: Colleen Gleason
Publication Info: Signet Eclipse June 5, 2007, ISBN: 045122146X
Genre: Paranormal

Following the death of her husband, Phillip, Victoria, Lady Rockley and Venator in the Gardella family of vampire slayers, is back on the streets after a long time of mourning, hunting and waiting for her chance to avenge her husband’s death against the uber vampire Lillith.
Total aside: What’s with all the vampire queens named Lillith? Does she know she had a roving fair of chick music named after her, too? I mean, dang. Eve must be pretty pissed that all the evil queens and music fairs are being named after her predecessor - can you imagine that press conference? “Y’aaaaaaaalll! I totally gave Adam that apple and got everyone tossed out of the garden of Eden! *stamps foot, tosses hair* How is that not evil enough for you?! SRSLY!”
So anyway, evil vampire Lillith has run away to hide, and Victoria’s facing a new set of enemies, a vampire named Nedas, son of Lillith, who has acquired an evil obelisk that can summon and harness many levels of evil undead to run amok, wreak havoc, and vanquish humanity. To say the least, this is a bad idea from Victoria’s perspective, so she and her aunt Eustacia, who is the leader of the Venators as Illa Gardella, the matriarch of the Gardella family, pack up and head to Italy. Victoria runs into her duo of men, Max and Sebastian, and both are as ambiguous and uncertain as ever, despite Victoria’s growing and complicated regard for both of them. Add to that the larger understanding of her role as the granddaughter of The Gardella, and the responsibilities that will one day fall on her shoulders, and Victoria has a lot to deal with once again.
Like the first book, the second offers seriously nonstop action. The pace is so quick and so fast that it’s stimulating reading instead of relaxing reading. This isn’t a book you ruminate over each passage. This is high octane move-your-ass reading that draws the reader in immediately.
Most notably, Gleason - and I won’t give away the plot twist no matter what fancy things I can do with font colors - managed to shock the hell out of me AND the heroine at the same time. I didn’t believe what was going to happen would actually happen and my reaction mirrored the heroine’s at each paragraph. I won’t say more because I feel guilty for potentially revealing the Big Secret but, damn, this was not good for my blood pressure.
Oddly, one continuing theme to the story has me baffled. As the series progresses, the tendency to keep Victoria in the dark by most of the senior and experienced characters drives me more and more batty. Victoria goes to Italy with her grandmother, and her grandmother takes care of setting everything up for their households, including Victoria’s identity as she investigates undercover, and all manner of secret details - and involves Victoria in none of it. Later, they go to the center of Venator headquarters, where her grandmother is treated akin to royalty. She is The Gardella, the matriarch of the Venators, with Victoria as her heir. Despite being the heir to such a huge mantle of responsibility, her grandmother and other characters still keep her largely in the dark as to the details and logistics of being a Ventator, to the point where I want to smack them all upside the head. On one hand Victoria is moving from a role as a newbie innocent Venator into one with more experience killing Guardians and Imperials in sets of two and three, but on the other, she’s coddled and cared for even as she’s told by those same people doing the coddling that she needs to grow up and face her difficult future.
However many times Victoria is thrown into the deep end of the bloody Venator pool, she manages to tread water and kickass at the same time, which is reassuring to say the least. Her strength and resilience is impressive, and makes for a compelling heroine. Add to that the men of mystery, Max and Sebastian, neither one of whom she is sure she can completely trust, and the book ends with half the questions answered and even more created.
Among my questions:
1. Why does Sebastian forever take his damn jacket off? Every scene: he’s taking his jacket off, or he left his jacket in the carriage, or he tosses it over a chair. The man lives in shirtsleeves. At some point this is either going to be a clue of some sort, like he’s signaling faraway observers with his white sleeves and manly arms, or it’s a peculiar affectation. But either way, it’s like David Caruso’s sunglasses: On! Off! On! Off! WTF?
2. Why does Victoria dismiss as coincidence the repeated surprise arrivals of people she knows in locations she shouldn’t likely see them? Surely this would make her suspicious, as it did me.
3. What happens next?
Like any series worth keeping track of, the Gardella Vampire Chronicles leaves as much unanswered as it does solved in the first two volumes, and the larger story arcs, from which man Victoria will choose to how she’ll face the final showdown with the Big Bad that lurks in the background, are intriguing. My patience with series books is thin, as I’ve said often on this site, but in Gleason’s hands, the mix of action, emotional punch and intrigue serve to keep me interested in books three through five. For example, I can go back and forth about which man she’s likely to choose, and why each is better, and that kind of well-wrought triangle is hard to find. I almost dread the final answer since the balance between them is so well maintained.





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07.06.07 at 09:58 AM |