











by SB Sarah • Friday, September 30, 2005 at 12:44 PM
Congrats to THIS! Christine who guessed correctly: Lily Tremaine from Night Shadow by Catherine Coulter.
Kneel and receive your title!




by SB Sarah • Friday, September 30, 2005 at 10:34 AM
Another Friday, another chance to guess the heroine and win yourself a Smart Bitch Title™! You know the drill - be the first to correctly guess the heroine’s name, the title, and the author, and you win.
Unexpected Arrivals Seek Permanent Home
Young “widow” seeks safe haven for herself and three Very Young Persons after fleeing ugly and grabby-handed guardian. I’m looking for my charming knight in a smoking jacket, and the four of us intend to turn your regal bachelor life on its head. But you’ll have to earn my trust and the trust of the Very Young People, and get over your conflict-sustaining beliefs about me, to earn our happy ending.








by Candy • Thursday, September 29, 2005 at 09:23 AM
OK, for those of you who were curious about what I was doing with the SASS (Stupid-Ass Serial Story), here’s the next installment. It’s not as polished as I’d like it to be, and parts of it are infodumpy, but man, I’m sick to death of looking at it and I know that if I don’t post it now, I’ll spend weeks tweaking a word here and a word there instead of moving on with the story.
So be warned. It’s pretty rough reading. I’ll probably head back and re-write parts of it in the future, and I’ll let you know if I change anything substantial instead of just nitpicky wordchoice crap.
The usual disclaimery stuff:
1. These here words copyright 2005 by Candy Tan.

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 License.
2. No research was done for the writing of this chapter. I’m lazy, yo.
3. Story not guaranteed to be readable. No professional editor has looked at it. For this particular section, not even friends looked at it.
4. Git your chapter one here, and chapter two, part one here.
Chapter 2, Part 2
Jennifer didn’t feel much better after talking to Ramzi the Flea.
She considered herself a hard-headed empiricist, a skeptic. What Ramzi had told her opened up a new world, one she was certain couldn’t be real. Demons, gods, angels, spirits. Invisible beings who inhabited worlds nobody could imagine, who remained unseen until they chose to reveal themselves.
Ramzi wasn’t lying. If nothing else, he’d believed, heart and soul, in what he’d said. She had an uncanny knack of picking up on when people were being less than truthful. It was one of the many reasons why she was one of the best agents in the best mercenary operation in the Republic of Texas.
Maybe the wrinkled old bastard had finally gone crazy from all the dust, sand and plastic fumes he’d inhaled over the years. She hoped so. But either way, she now had several unanticipated variables to deal with. She hated unanticipated variables. Almost as much as she hated camels.
As Jennifer neared Nadia’s establishment, she could feel the nausea that had plagued her on and off all day rush back, creeping up her belly and into the back of her throat. The nanobots were letting her know they were unhappy with her. The Agency had injected the critters in her ten years ago, right before an operation in Moscow that had taken place in the middle of January. Thanks to the microscopic fuckers, it was now impossible for her to get an infection, frostbite or hypothermia.
An unanticipated side-effect was how poorly the nanobots reacted when it got hotter than 95 degrees. Nausea was the primary symptom. Jennifer had learned to deal with it. Throw up, drink some fluids, and move on—preferably to a place with air conditioning.
Nadia’s upscale brothel was in sight. Jennifer gave an inner sigh of relief. When she reached the steps, the bull-necked bouncer with the headset nodded at her and held the heavily gilded door open.
Sweet, blessed air conditioning. Few people in Cairo could afford it nowadays, but Nadia could. Jennifer’s nausea abated as the doors closed behind her, though an ominous pressure remained.
There was some public humiliation being conducted in the foyer. A naked man with a black bag over his head was tied in a kneeling position to a whipping post set on a small platform. Justine, a busty, sloe-eyed Frenchwoman, the most expensive of Nadia’s stunningly expensive whores, caned his buttocks, back and legs with a switch as thick around as her thumb. The man’s enormous erection rose from a thicket of graying pubic hair, deep red and aggressive-looking, bobbing with each blow. His moans were almost drowned out by the jeers and laughter of the small crowd gathered around to watch.
Jennifer threaded her way through the people. She braced herself to be grabbed or at least propositioned, but although several customers gave her lingering, appreciative looks, nobody made any attempts to touch her or approach her. The bodyguards scattered along the walls and in the stairwells, the ones who made football linebackers look like underfed puppies, no doubt presented a strong incentive for good behavior.
When she reached the stairs beyond the foyer, she took off the veil and inhaled deeply. She hated wearing them. No matter how thin they were, they made her feel as if she were suffocating. Her nausea eased another notch, though it still wasn’t entirely gone. She took the steps three at a time, impatient to get to her room and not particularly caring if her long strides exposed her ass. It was barely covered by the miserable excuse for a skirt anyway.
Her room was a small but lavishly appointed chamber in the east wing of the building. Deep purple velvet and satin dominated the décor, and the bed was a four-poster baroque monstrosity smothered in curlicues and pillows. One of the walls consisted of a giant mirror, but saints be praised, there was no mirror on the ceiling.
She was glad she hadn’t been assigned one of the leather-themed rooms. Those tended to be even more over-the-top.
She locked the door behind her, reached into a hidden pouch in her holster and pulled out a silver cube only slightly bigger than the top joint of her thumb. She pressed her right thumb against one of the surfaces until she heard an almost inaudible beep, then slid her nail against a hidden catch. The agent who had trained her on its proper use had shown her the scars; he’d learned the hard way what the consequences were when somebody tried to release the catch without allowing it to verify the thumbprint first. She unfolded the cube until it revealed itself as a cell phone, no more than an eighth of an inch thick. She tapped in the necessary code to turn the power on, then keyed in a long, complicated sequence of numbers to access the secure line. Receiving confirmation on the screen that she was patched in, she held the phone to her ear and said “Father.”
There was a brief silence, then Jennifer heard the phone dialing the number at headquarters. Mr. Williams picked up almost immediately.
“Well?” he barked. “What’d you find out?”
“Karkossian has made his way to Karnak along with the book, sir.”
“Karnak? Why the hell Karnak? There’s nothing there other than that bombed-out casino that used to be a temple.”
Jennifer cleared her throat. She didn’t feel stymied very often, but then, it wasn’t every day that she discovered what she thought was a run-of-the-mill—albeit insanely valuable—historical artifact was the repository of all evil. Today was just her lucky day.
“Well, sir, from what I’ve been able to ascertain, it seems that Karkossian has suffered what seems to be a psychotic break with reality, and is attempting to use the book to summon gods. He has headed to Karnak in search of a key that will allegedly help unlock parts of the book that he is unable to access right now.”
Silence and a slight crackle of static.
Then, “Karkossian wants to use the book to summon God.”
“No, sir. Gods, plural.” At that point, Jennifer had to stop and pinch the bridge of her nose. Saying all this out loud was making her cringe. “According to my sources, the book is rumored to have the ability to summon supernatural deities who were captured and trapped during the eleventh century. Karkossian seems to be convinced this is true, and according to my source, he’s determined to release these deities.”
More silence. Jennifer could almost feel waves of consternation and disbelief emanating from Mr. Williams’ lanky frame, thousands of miles away.
“I’m going to get confirmation from a couple of other sources,” she said, to fill the dead air. “But two things are very, very clear right now: Karkossian is insane, and he’s in Karnak.”
Another silence, this one mercifully brief, then “Anyone with Karkossian?”
“From what I’ve been able to ascertain, nobody other than some local thugs, sir. But I’ll spend the next couple of days gathering more information in Cairo and the surrounding area. I have a few of leads I need to check up on.” She didn’t mention that the leads were witch doctors, and one was a demon hunter.
A fucking demon hunter.
Jesus wept.
“Good. I want you in Karnak as soon as possible. Our client is extremely anxious regain his artifact.”
“I understand, sir. You have my guarantee that this mission will be completed as soon as possible.”
“I have every faith in you. Oh, and Jennifer?”
“Yes?”
“I take it you’re at the safe house in the Prostitutes’ Quarter right now?”
Jennifer didn’t like questions with obvious answers, and she liked the sudden change of tone in Mr. Williams’ voice even less. The deliberate casualness meant she was going to get bit in the butt, and not in a fun way.
“Yes, sir.”
“Good. Stay there for the duration. Our house in Old Town was compromised early this morning.”
Compromised. Jennifer was a bit surprised at how unsurprised she felt. “Who did it, sir?”
“Bomb residues tested positive for corn DNA, so this looks like a Vegan job. Or it might be one of Karkossian’s agents using Vegan plastique to help throw the scent off. We’ll know more tomorrow. We have agents on the ground right now investigating it. There’s backup at hand should things become more… complicated. Don’t worry about it now, though. Your job is to take care of Karkossian and get that book back. We’ll handle everything else.”
“Yes, sir.”
“I expect a detailed report tonight.”
“Yes, sir.”
Mr. Williams hung up. Jennifer turned the power off, folded the phone back into its original shape and slipped it into her holster.
She felt tired. No, more than tired—she felt like she’d gone through a few rounds with the world heavyweight champion. She pinched the bridge of her nose again, then rubbed it. She turned around and caught a glimpse of herself in the mirror. She stopped in shock, and looked closer.
She looked like hell. The bits of her close-cropped hair that weren’t plastered against her skull with sweat were sticking up in cowlicks, and her eyes were huge, wild-looking. She tried to smile, but stopped because it transformed her face from sallow and drawn to something children and dogs would—should—run away from.
She turned away from the mirror, disturbed by what it showed her, and walked to one of the paintings in the room, a convincing replica of a Degas ballerina. She paused at arm’s length and pressed her right thumb lightly against the tip of the dancer’s left shoe. A thin beam of light appeared from the depths of the ruffled skirt and scanned her right eye. After a few seconds, there was a soft click and whirr, and the whole thing swung open on silent hinges, revealing the titanium alloy plates that backed the painting and a recessed space within the walls.
The safe was filled with her laptop and assorted useful things, including a few handy gadgets that had been outlawed by the 2068 revisions to the Geneva Conventions. She grabbed her laptop, swung the safe door shut and made her way to the bed.
Just as she settled into a comfortable position and connected to the network via satellite, she realized that the inevitable had finally caught up with her.
She made it to the bathroom just in time. She gagged, then choked; her body seized up and turned inside-out. The acrid taste of bile and partially-digested food brought involuntary tears to her eyes.
She was surprised there wasn’t any blood when she looked down; fuck knows it had hurt badly enough. She flushed but didn’t have enough energy to get back on her feet, so she chose to stare into the swirl of water instead. She silently counted the number of Egyptian missions she’d completed for the agency in the eleven years she had been on its official rolls.
Twelve missions. Twelve blood-soaked, sweat-drenched, nausea-filled missions, with her ass constantly getting nipped at by the goddamn camels in the goddamn cities. The missions in the more remote areas weren’t much better. She did more mental tallying. Two narrow escapes from pissed-off hippopotamuses, another even more narrow escape from a pissed-off leopard, one capsized boat in crocodile-infested waters, and countless run-ins with assorted criminals and vermin who thought a woman traveling alone would be easy prey.
Twelve missions in eleven years. She suspected that the agency deliberately chose her, not only because of her fluency in the regional dialects and her connections to Ramzi and the Prostitutes’ Quarter, but to test her mental and emotional resiliency. The agency excelled at breaking people down so they could build them back up again. They did it as often as they had to, until they had molded the agents just the way they wanted them.
Jennifer wasn’t quite sure which stage they were at with her. She’d lost track.
All she knew was, this particular mission was pushing her closer to the breaking point than any other she could remember.
She was still too tired to move, so she leaned her forehead against the seat, the cold plastic a shock, then a balm on her aching head, and thought about her earlier encounter with Ramzi.
He inspired nothing in her other than mild contempt. She’d made peace with that particular demon years ago. She kept waiting for him to remember, for something about her—her voice, maybe, or a mannerism—to trigger some sort of recognition in him. But nothing ever did. She didn’t know why she expected the old sumbitch to recognize her. The last time he saw her that he knew of, she’d been a tow-headed, chubby eight-year-old. She had grown and stretched beyond all recognition now, her hair a dark reddish-brown. She didn’t even bother speaking Arabic with him.
For some reason, it made her feel as if she were exerting a form of power over him, forcing him to speak English with her.
She sat up with a slight grunt, and forced herself to admit what she’d tried to avoid thinking ever since this mission had started: lodging at a whorehouse resurrected memories she’d much rather leave buried. Unfortunately, with the other safe house blown to shit, the only place in Cairo she could be reasonably sure was secure was a brothel.
The irony was more than a little bitter.
Then, there was Karkossian. She knew she’d have to kill him this time. She couldn’t afford to let him go.
Knowing she had to kill the first and only man she’d ever been in love with put her in a real shitty mood.
Jennifer touched her stomach, running her fingers over it gently, as if it were a safe she was about to crack, and leaned over the toilet experimentally. Nothing. She felt a bit shaky, but it seemed as if the nanobots were back in charity with her. She got to her feet, knees popping, feeling old for the first time in her life.
She had a report to send. And then she’d allow herself a nap. Just a short one.
*****
She couldn’t stop crying, and Kamilah was getting angry with her. It didn’t help that Kamilah herself was on the verge of tears, too, though she was trying to hide it.
“Look at you, crying like a little baby! Stop it! Do you want people to think you’re a baby who cries for no reason? You’re a big girl. Stop crying. Stop. Stop it. You don’t want to look ugly for the uncles.”
At the mention of the uncles, she howled even harder.
“If you don’t stop crying, I’ll have to give you that medicine again,” Kamilah said.
That threat finally stopped her wailing, although her breath still hitched and hiccupped. Tears streamed down her face, hot and slippery, and she didn’t know how to make them stop.
Two nights ago, one of the uncles had sat her on his lap and rubbed her all over her back, and then all over her front, and then the smelly place down there. It was more than any other uncle had tried to do. She’d been frozen by an odd sort of fear, fists clenched against her sides, remembering Ramzi’s threats of a beating if she didn’t allow the uncles to do whatever they wanted.
When the uncle finally left, she’d started crying, though she didn’t know why. She couldn’t stop, and when Ramzi tried to take her to show her to another uncle, she had fought against his grip, thrashing and clawing at him.
He had wrestled her to the ground, sitting on her chest while Kamilah, face tight with anger and some other unidentifiable emotion, forced the most foul-tasting medicine down her throat.
The medicine had made her feel strange. She wasn’t sleeping, but everything felt dream-like. She wasn’t able to move very fast, and she wasn’t able to talk at all. She didn’t even care when the uncles touched her. Hours afterwards, she had thrown up, over and over again.
Seeing the uncles was bad, but seeing the uncles after taking the medicine was worse.
Kamilah grabbed a wad of tissues from the never-ending store tucked under her bra strap and briskly scrubbed at the tears. Once Kamilah was done with the face, she held the tissues under her nose. “Blow your nose,” Kamilah said, voice abrupt but not angry.
She dutifully blew into the wad of damp paper. Her tears finally slowed, then trickled to a stop. She wasn’t sure she would ever be able to cry again.
“This is the last uncle you will have to see,” Kamilah said.
“For tonight?” she asked dully.
“No. This is the last uncle. After this one, Ramzi will decide which House to send you to.”
“Oh.” She didn’t know what to say. A rock gathered and settled in her stomach, but the sensation was distant, almost as if Kamilah had given her more of the medicine.
A few minutes later, she was led into Ramzi’s back office. Towers of boxes loomed over her, and she wished she could step behind one of the stacks, close her eyes and turn invisible—or, better yet, disappear completely.
The last uncle leaned back on Ramzi’s worn leather chair, one leg crossed over the other. He was a tall, handsome Ingleezi man, with grey hair streaking his temples. He was dressed in a dark suit and a buttoned-up shirt, despite the heat. A gold watch gleamed on his wrist, and he wore black leather shoes so shiny, she could see a distorted reflection of her face in them.
She stopped a distance away from him, reluctant to get any closer. He didn’t seem to care; he simply sat there and stared at her for the longest time.
“Come,” he finally said in Arabic, and she jumped at the sudden sound. He gestured with his hand. She walked up to him as slowly as she could, counting off the steps in her head. He didn’t seem angry at her deliberate delay; if anything, he looked amused.
When she was by his side, he sat up, uncrossed his legs and leaned forward. He reached out and touched her face, gently stroking her cheeks.
“Have you been crying?” he asked.
She nodded.
“Are you going to start crying again?”
“No,” she whispered.
He smiled. “Too bad.”
The rock in her stomach grew, but she felt confused. She thought crying was a bad thing. Only babies and crazy people cried for no reason like she’d been doing.
The man gave her a lot of the same instructions the other uncles had given her, asking her to turn around, raise her arms, bend over, lift her skirt. Then the dreaded words came:
“Come, sit on my lap.”
Her fists clenched, her body stiffened, but she climbed onto his lap and sat there, trying to imagine she was one of those wooden dummies she’d seen on television. She was a block of wood. She could feel nothing.
He didn’t hurt her. Not yet. He petted her hair, stroked her shoulders and back, ran his hand up and down her arms. She held still, biting her lip.
A block of wood, a block of wood, a block of wood...
His hands reached her legs, fondling her ankles and calves. They moved higher with each stroke. When he reached the smelly place between her thighs, she started trembling, and couldn’t stop. He noticed it, and wound one of his arms around her middle and yanked her close to him. The rock in her stomach grew, and grew. He was petting all around the outside of the smelly place, and it was awful; if he didn’t stop soon, she was going to scream and then puke all over his shiny black shoes.
He took his hand away, and she breathed a silent sigh of relief. From the corner of her eye, she saw him put a finger, in his mouth and suck on it, the one he’d been stroking her with, and she wrinkled her nose in startled disgust. Then, before she quite knew what was happening, he had reached under her skirt, pulled her panties off and shoved the finger inside her.
The invasion was startling; the pain, even more so. She screamed and pushed against the arm holding her down, but he was bigger than her, stronger than her; the arm didn’t give way. And as she squirmed and fought, she moved down just as the hand between her legs moved up. It impaled her against his finger even harder.
The burst of pain was electric. She bellowed. Something deep within her mind snapped, almost like a restraint she had never known was there. She flailed, then grabbed the arm that was wrapped around her middle, grabbed on to it tight and flexed as hard as she could, and felt something within her flex as well. His arm broke with a sharp crack, as easily as a dry stick of wood, and now it was his turn to scream.
She scrambled off his lap and threw him on the floor; he weighed no more than a doll. He lay there, nursing his broken arm, eyes streaming with the pain. His mouth formed words she couldn’t hear above the roaring in her ears and she launched herself at him, going for the throat, tearing at gristle and flesh, and then she realized she was screaming unintelligible words in a guttural language she didn’t know.
Blood rained down on the both of them in the storage room.
*****
Jennifer opened her eyes. She was breathing hard. Her arms and hands throbbed. Something tickled her nose, and she sneezed. She looked down.
She’d torn apart one of the pillows on her bed, her fingers still curled in claws and digging into the filling.
Another nightmare, another dead pillow. She was a menace to bedding everywhere.
She unkinked her fingers, flexing them and wincing a little at the ache. She pushed the tattered velvet and goosedown off her, then sat up, head feeling thick, the knot of unshed tears and trapped screams a hard weight in her throat.
The dream was an old one. The man changed from time to time. Sometimes it was one of the pimps, other times it was the man who had bought her at the House of Budding Flowers. No matter how they started out, they always ended the same way: with her tearing the man’s throat out and screaming words in an ugly, unknown language.
As far as she could remember, none of the pimps had stuck anything in her while checking her over. That would’ve damaged the goods, so to speak. Most of them had limited their touching to quick, almost impersonal examinations, like a woman examining a dubious leg of lamb at the market.
She thought of how one of the pimps had grabbed her arm, pinched at it and made disapproving noises about how plump she was. It didn’t occur to her until years later that he was haggling with Ramzi, which amused her. So much for the fatted calf.
Her memories of what had happened at the House of Budding Flowers were chaotic at best, and always had been. Only discrete snapshots and sensations were left, but there was no continuity to the pictures. It was as if somebody had taken a box of photographs, discarded half of the pile and then jumbled the rest up hopelessly. She remembered the smell of his breath, rank with alcohol and cigar smoke. She remembered what it had felt like for him to lick at her neck. She didn’t remember everything he did to her. She didn’t remember what his hands felt like.
She would never, as long as she lived, forget his face, his blunt, even features. She remembered how unexpectedly kind his smile had been, not at all sinister, which had given her hope at first. She learned fast enough what lay behind that gentle smile. Eventually, she’d passed out from the pain.
When she woke up, he was a naked, torn heap, blood streaking the walls and pooling on the floor. Mr. Williams stood over the body, dressed entirely in black, stocking mask drawn back from his long, lean face and a smoking gun in his hands.
He’d looked at her for the longest time, cool grey eyes assessing her, and she’d stared right back, feeling blank, resigned. After a few minutes, he’d wrapped her in a blanket, picked her up and carried her out the window with him. A guard along the wall had noticed the strange man and his unusual burden, but Mr. Williams had dispatched him with quiet efficiency.
He hadn’t said a single word through the whole ordeal. She wouldn’t have been able to talk back, anyway. All the screaming had broken her voice, and for days afterwards, she was unable to speak above a hoarse squeak.
Jennifer rubbed her eyes and kicked herself free of the covers. She glanced at the clock and did a double-take. She’d slept for almost twelve hours.
She never slept for that long. And now she was running late.
She hopped out of bed and padded to the bathroom. As she washed her face, she stopped again and stared at her reflection. Really, she looked awful. Her pale skin looked almost green under the lights, and her face…something was odd about her face.
She squinted and leaned closer to the mirror, trying to figure out what exactly was wrong.
Her reflection smiled at her, mouth filled with needle-like teeth.
She recoiled and stepped back, but too late. Her reflection reached out, grabbed her wrist in a crushing grip, and pulled.

















by Candy • Tuesday, September 27, 2005 at 08:00 AM
Our Grade:
Title: A Dame to Kill For: Sin City Book 2
Author: Frank Miller
Publication Info: Dark Horse 2005, ISBN: 1593072945
Genre: Graphic Novel

Mmmmm, Dwight. Damaged, borderline-psychotic Dwight. Bam was right: he’s nummy. Buy this book. Read it. Fall in dirty, dirty lust with Dwight.
Wait, I’m getting ahead of myself. Ahem. Let me try again:
Dwight, like just about every Sin City character you’d care to name, has problems. The love of his life left him years ago for a rich man, he lost his job as an award-winning photographer for Alcohol-Related Reasons that aren’t elaborated in the book, and he’s now reduced to sneaking around, taking pictures of husbands behaving badly for a hilariously sleazy private detective.
Then a blast (no, make that the blast) from the past, Ava, shows up. She makes noises about her life being in danger. And she’s being shadowed by a huge (and I mean huge) motherfucker who’s allegedly her husband’s chauffeur.
Dwight has two weaknesses: booze and dames. One weakness feeds off the other. But Ava isn’t a weakness for Dwight so much as she is his San Andreas Fault: when he sticks around her long enough, catastrophic things happen, and vital chunks of himself threaten to tear free from the mainland.
Wow, check out that analogy I just made. That’s, like, deep, man.
Anyway, complications arise. Complications involving blood, and lots of it. And Dwight goes on a rampage, first with the help of your favorite delusional thug and mine, Marv, then with the help of the working girls in Old Town.
This story starts out slower than The Hard Goodbye, but once it got going, I couldn’t put it down. One of the neat things about the story is that it happens concurrently with The Hard Goodbye and you get to see little vignettes from the last book interspersed in this novel, often as background action. The stories stand alone very well, but it’s a lot of fun looking at the scenes from different perspectives, and figuring out the timeline for various events relative to the timeline of The Hard Goodbye.
The characters in this one are every bit as fascinating as the characters in the first book. Dwight is hot. Have I mentioned that? No? H-O-T. Hot. He’s quixotic and gallant, the way Marv is, but unlike Marv, he’s not confused, and he’ll hurt a woman if presented with enough provocation.
I’m not normally into pain, but let me say this: Dwight can hurt me any time.
This book also introduces the prostitutes of Old Town, including one of my favorites, deadly little Miho and her array of sharp objects.
For those of you who liked the movie* and were wondering why Dwight needed plastic surgery, this story explains it all.
My only complaint, minor as it is, is that Dwight is a lot less hawt after his plastic surgery, largely because of his gay-ass haircut. What the hell? I mean, fine, he couldn’t be hot and bald any more because hot and bald is a pretty distinct look, and the point of extensive reconstructive plastic surgery is to disguise your look, but DEAR GOD couldn’t Frank Miller have given him a better haircut? That floppy center part should only be sported by sissy-boy Hong Kong pop singers, not tough-as-fuck characters for a noir graphic novel.
Other than that, this book was a blast to read. Go. Read. And revel in the hotness that is Dwight.
*An observation about the movie sparked after reading this: man, Clive Owen doesn’t do Dwight justice in the movie. Not even close. Yes, he’s yummy, and yes, gallantry oozes from his pores the way oil does from mine after a meal at Popeye’s, but he doesn’t have the raw sexuality and crazy edge that Dwight exudes in the book. Plus the way he struggled with the American accent was distracting. I think Christian Bale would’ve done a better job, because Lord knows he’s proven himself capable of playing psychos, both amiable and not-so-amiable. Plus he’s hawt, and built--I mean, seriously, Dwight in the book is BUILT, yo.



by Candy • Tuesday, September 27, 2005 at 06:17 AM
Inga Mahn lost just about everything due to Hurricane Katrina. Seriously: her house? It’s gone. Not destroyed, not demolished. Gone. Poof.
Amy E., that magnificent bitch, has organized a series of auctions in her benefit, to help her and her family rebuild. Sarah and I agreed to contribute the following items for auction:
Three months worth of ads, including ad design.
An author interview, wherein you get to pimp yourself, your books, and hell, whatever you want to, up to and including your fabulous perm.
A manuscript critque--a FULL manuscript critique, bitches, not just the usual partial + synopsis.
BID, MOTHERFUCKERS. Don’t make us look bad, or we’ll cut choo like a peeeg.
Plus, you’ll be helping out Inga.
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by Candy • Monday, September 26, 2005 at 06:37 AM
Sarah:
Beavis: Whoa!
Butthead: WHOA!
Beavis: She’s like, naked! With armbands!
Butthead:Huh huh. Yeah.
Beavis: And she’s gonna get stabbed by that CHURCH! YEAH!
Butthead: Huh huh.That’s cool.
Beavis: Stab her! Stab her in the BUTT!
Butthead: Huh huh huh huh. Tell her to move her hand first so we can see her boobs.
Beavis: Yeah! BOOBS
Butthead: Yeah. Huh huh.
Candy: Wow. I can hear the headlines: “Devastating S&M Tragedy! Woman’s spine pierced through with a pointy castle roof. Find out more about this deadly new fetish. Pointy castle roof fetishists: are they warping our children’s minds? THEY’RE OUT OF THE CLOSET--AND IN OUR STREETS! More at 11.”
Sarah: Gosh, could that hero look any more excited about the posing hottie in front of him?
Ho hum. Another Scarlet Cavern. Gee. There are some boobs. They look rather large and oblong, like someone pulled them southward.
Hmm. Perhaps I’m not the first to enter her scarlet cavern. It is a cavern after all.
Candy: Man, that is possibly THE nastiest peroxide job to end all peroxide jobs on that chick there--and there have been some really skanky-lookin’ blondes on romance novel covers.
And the guy… I could’ve sworn I saw him on Faces of Meth. If he isn’t on there already, he will be soon. He also needs a Silkwood shower in the worst way. That’s probably why he doesn’t look too excited by the equally nasty blonde hobag stripping down in front of him. He’s too busy suppressing the urge to scratch at his scabies.
Sarah: Now that I’ve started breathing again after falling on the floor in twisty laughter, let me attempt to address just one thing that is wrong with this cover.
Does she have a tumor on her ass? Or a saddle horn? Because her back isn’t long enough for the dude to be holding onto her ass. My ass doesn’t curve around like that. My back doesn’t bend like that, either.
Candy: The force of attraction… of being a certified proctologist.
Romance novel cover models really need to learn that Astroglide is their friend. Really, look at all the pained expressions. All those dry runs up Hershey Creek make Baby Jesus a sad panda.
Sarah: The ride in question is the lowride of her jeans, I bet. Even SIMs should not have to have a bikini wax before they put their jeans on.
Man, he has some little hands on the ends of those beefy arms, too.
Jeez louise.
Candy: The danger in this ride is the elevated risk of contracting genital herpes. That, and getting splinters in your ass from humping on that rickety-ass looking fence.
Man, these models look naaarsty. What the hell is up with that hair? Did she superglue it on to her titties? Why? To cover the fact that she has more nipple hair? Or the fact that one of her nipples bears a disturbing resemblance to Doogie Howser’s face? Inquiring minds want to know.






by SB Sarah • Sunday, September 25, 2005 at 12:46 PM
Sunday afternoon, watching the Steelers game, and creating SBTB prizes, Sarah and Hubby had the following conversation:
Sarah: Oh my God.
Hubby: What?
Sarah: There is a romance novel.
Hubby: Yeah?
Sarah: Called What an Earl Wants
Hubby: NUH UH.
Sarah: YEAH HUH.
Hubby: That is just AWESOMELY bad.
Sarah: I know. Wow.




by SB Sarah • Saturday, September 24, 2005 at 06:12 PM
Here’s a fun toy, though I haven’t gotten the best of results with it: What Should I Read Next?.
Enter a book you like and their database of real readers’ recommendations will suggest something.
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by SB Sarah • Friday, September 23, 2005 at 12:40 PM
Congratulations to Rubilei, for guessing this week’s Guess That Lonely Heart. Nice job - the correct answer was Christina Bennett from Julie Garwood’s The Lion’s Lady.
Kneel and receive your fabulous prize, as the Smart Bitches Dub Thee:




by SB Sarah • Friday, September 23, 2005 at 11:34 AM
It’s time for our Friday funk: give me the name of the heroine, the title of the book, and the name of the author, and do so expediently, and we Smart Bitches who Confuseth Michelles shall bestow upon you a fine Smarte Bitche Title!
Driven lady seeks warrior lord
Blonde beauty with earthy upbringing seeks rakishly confident noble warrior to help me attain revenge. Must be willing to deal with plainly spoken miss, one who stubbornly refuses to divulge the truth of who I am. Must also not be alarmed should I eat the shrubbery.







by Candy • Friday, September 23, 2005 at 09:10 AM
Ahem. Now that I’ve recovered from my fit of hysterics, here’s some other totally awesome news: The Romantic Bitches Association has its own forum now. Hie thee there and check it out! And if you haven’t joined yet--well, what are you waiting for? We’re totally fucking awesome.








by Candy • Friday, September 23, 2005 at 08:50 AM
OK, I’m totally stealing Michele’s thunder here for which I apologize but I can’t help it because wheeeeeee I totally won this auction on AAR Aid for eight autographed Loretta Chase books and WOOOOOOO and holy crap I just spent over $200 on books when I told myself “No books until you’ve moved and settled in” but who fucking cares, autographed copies of Loretta Chase novels aahhhhhhh and I mean ahhhhhhh ahhhh aaaahhhhhhh ahhhhhhhhhhhhhh.
Wheeeeee and also ahhhhhhh.
OK, need to stop hyperventliating.
BUT AHHHHHH EIGHT AUTOGRAPHED COPIES! INCLUDING LORD OF SCOUNDRELS! AHHHHHHHH!
(I’m also happy the money is going to a good cause. But have I also mentioned AHHHHHH I WON WOOO LORETTA CHASE AHHHHH!)












by SB Sarah • Friday, September 23, 2005 at 06:23 AM
The accounting firm of Bitchypoo and Crankypants have tabulated our results, and we are proud to crown the winner, Michele, for her entry, Longing for the Vigilant Outlaw.
Ffor all of you who fflocked to our site to ffling your votes, thank you ffondly!
Now summon the ffair maidens to throw fflowers at your ffeet! Michele, kneel and receive your prize, as the Smart Bitches hereby dub the:
Congratulations and thank you to all our ffine participants!
UPDATE: Pregnancy brain strikes again. My apologies to our two Michel(l)es - most humbly I admit I got confused!
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by Candy • Thursday, September 22, 2005 at 07:57 AM
I saw the link to this hilarious article about female porn on HelenKay’s blog a few days ago, and meant to make fun of it. Unfortunately, a shiny object came along and distr--oh, hey, look, disco ball!
Whoops, where was I? Anyway, yeah, this article? HILARIOUS. Read it. Pay attention to their definition of what’s pornographic, to wit:
pornography – 3: the depiction of acts in a sensational manner so as to arouse a quick intense emotional reaction
I’m not going to bother deconstructing the article, because, well, it’s just too goddamn easy, and it doesn’t offer anything new that I haven’t yelled about a bunch of times already on this forum. I will, however, provide lots of links to some primo prurience, going strictly by their definition of what constitutes pornography.
Badly-drawn religious tracts: PORN-O-RAMA!
I always thought she was batshit insane, but now I know better: she’s pornographic too!
Porn for Democrats and Liberals!
Not to neglect the other side: Porn for Republicans and Conservatives!
Unf unf unf unf: Meatpackers are sexxxxxxy
OMG! Porn involving UNBORN CHILDREN!!!!!!!!! (Mo’ exclamation points = mo’ outrage)
Actually, come to think of it, the article itself is pretty pornographic. Look at how it sensationalizes the act of reading or watching a movie (I mean, COME ON: “When a single woman leaves a steamy chick flick only to return home alone to her cats and tub of ice cream, a part of her breaks—the heart part”? BWAAAAHAHAHAHAHAHAHA), all in the name of arousing shame and outrage.
Porn-mongers: they’re everywhere. Are YOU protected?





by SB Sarah • Wednesday, September 21, 2005 at 05:11 AM
I was ruminating in the shower last night because I had just thrown a Regency - a traditional Regency, specifically, one that’s not much bigger than a Harlequin in size, and features a heroine in an empire-waist dress on the cover - in my bag. (Tangent: what did the big busted girls do in that age with all those empire waist dresses? If I wear one? I look like a buxom hobag. For an age of decency, what was up with that?)
Anyway, as I was saying before I was distracted by my own breasts, the Regency in question features a non-titled gentleman and a non-titled heroine living on the “outskirts” of the ton, and yet I was totally intrigued by the back cover copy. This is surprising because, I must admit, I am a sucker for the titled characters. I’m not as willing to accept romances across social lines, and since the boundaries between classes were so defined at that point, I never really believed that a true happily ever after was possible between classes, even though I know it happened on occasion.
For example, Kinsale’s Flowers from the Storm ended with a brief discussion of how Jervaulx and Maddie would weather (har) the treatment they would each receive in their lifetimes, since she was distinctly of a lower class and also his wife. It’s one thing for the man to throw off convention and marry someone of a lower class, since he won’t likely suffer social ostracization to the extent that she would, particularly if he is possessing any degree of power or influence. Or if he’s a snazzy dresser. A variety of social sins can be forgiven of a snazzily dressed man.
But the woman in question, marrying up or down? Ouch.
So I prefer to go in knowing that there isn’t any major class boundary between the hero or heroine - and I must confess some snobbery as to whether the characters are titled or not when it comes to a historical selection. I don’t know why I’m fascinated with the titled vs. the non-titled, and I fully admit to my own prejudices in this department, but give me two musicales, a few balls, maybe some Almack’s for spice, and toss two characters in there of a certain class, and I’m intrigued. I do giggle at the thought that each novel talks about how rare the love match is, and yet there are bagillions of romance novels featuring ton love matches, and not one of those happy couples knows the others. But yet, I never get tired of it.
I have to question, though, as I know I am not the only one with this preference given the glut of romances featuring the noble and titled, why we readers actively seek stories of titled characters of the elite class. A friend of mine who also reads romance once said to me, “Look, this is my brain candy, and my fantasy time. I want titled people in opulent settings, and I want the hero tall, dark, handsome, rich, Lordly and successful.”
And by Lordly, I am assuming she meant that people addressed him as such, and not that he was priestly.
Just about every European country has a titled class, even today, even countries that have parliamentary governments. And given the number of magazines like Hello! that follow the clothes and babies of the rich and titled, there are plenty of people who like to know what they are doing, what they are wearing and what strollers they push.
There are shades of our fascination with the titled in the US, as we are always treated to news about the British ruling family, and on top of that we manufacture our own royalty, from the Kennedys to the celebrities in movies and on tv. Now, I have a theory that Americans are obsessed with royalty in similar fashion to our obsession with luxury, because we love to consume us some material goods. So even though I might be Sarah from Pittsburgh, I can carry the same handbag as the Crown Princess of Norway, and wear the same shoes as Princess Letizia of Spain, and I can even find out that my baby is due the same week as Princess Mary of Denmark. While the baby obviously is coincidence, I can bring myself to having a possession in common with any number of royal individuals - minus that one key item: the title.
You can buy one, if you’re up to the challenge of verifying the title’s veracity, and I personally would love to purchase myself the title “Lady Puddington,” but I think part of the fascination is really that, despite the high number of luxury items that can be bought by just about anyone with a credit line, the title is the one thing you can’t really purchase.
Perhaps that allure of unattainability is part of the reader’s fascination with class and titles. I also know that among the readership of this here site there are many who bristle at the class structures of past and present set novels, and deliberately seek out novels that break the boundaries with innovative plots.
So, do you prefer the titled vs. the common hero or heroine? And why do you think so many readers prefer romances that focus specifically on a particular upper class?