













by Candy • Tuesday, June 12, 2007 at 04:08 AM
Our Grade:
Title: Not Quite a Lady
Author: Loretta Chase
Publication Info: Avon 2007, ISBN: 0061231231
Genre: Historical: European

Ingredients:
1 aristocratic female, used once and discarded
1 scientifically-minded, commitment-phobic male
1 heartless rake
1 doting stepmama
1 doting father, adorably clueless
1 daunting, autocratic father
1 rival for heroine’s affections in the form of a tall, dark and handsome colonel
1 secret baby
2 tablespoons matchmaking efforts
1-1/2 cups unlikely coincidence
1 large stick romantic tension
1 cup witty banter
3 gallons guilt and self-recrimination
2 cups unlikely ending
1 giant red bow, velvet or satin preferred
Instructions:
1. Pre-prep: Take aristocratic female and combine with heartless rake, then lightly kill rake. Incubate secret baby for nine months, then remove from female and (via doting stepmama) spirit away to the North for later use. Insert in baby’s place 3 gallons guilt and self-recrimination; occasionally add presence of doting father to bring guilt to a gentle simmer. Let heroine stew for several years.
2. Take autocratic hero’s father and combine with matchmaking efforts. Send hero to ramshackle estate.
3. Bring hero into heroine’s presence and agitate gently. Add witty banter as necessary.
4. Beat hero and heroine with romantic tension until well-muddled. Add a good dash of rival to speed up the process.
5. Combine hero and heroine in laundry room.
6. Throw in unlikely coincidence into the mix and stir at high speed. Unlikely coincidence will bring conflict to a brisk boil and make the reviewer go “Dammit, I HATE it when I’m right about these sorts of deathly predictable things.”
7. Remove cluelessness from father. Briefly increase guilt on heroine’s part, then drain away and replace with now no-longer-very-secret child. Unite hero, heroine and child.
8. Douse mixture liberally with unlikely ending; allow to soak for two minutes and pour into a bowl. Cover bowl and tie everything together neatly with giant red bow.
Loretta Chase once wrote in Lord of Scoundrels: “In my dictionary, romance is not maudlin, treacly sentiment. It is a curry, spiced with excitement and humor and a healthy dollop of cynicism.”
As far as definitions go for romance, that’s an excellent one, and I’d say Loretta Chase herself has been one of the best at writing novels that live up to that adage. In fact, there are only two books of hers that aren’t on my keeper shelf: the alternately brilliant and atrocious The Last Hellion (alas, the atrocious bits outweighed the brilliance), and Not Quite a Lady.
So, not that I want to get inappropriately personal or anything, but: Loretta. Dude. What happened?
Lookit, this book not only features a secret baby, but a secret baby that’s reunited with the heroine by a string of highly unlikely circumstances, AND it features an ending that smooths over the difficulties and minimizes the impact of what happened. I’m not talking about the social consequences--though that was handled in a rather distressingly facile manner as well--but the emotional impact on the family. From the father (who’s been lied to for over ten years not just by his beloved daughter, but by his wife), to the child himself--come on, the boy’s concept of who he was and where he came from has proven to be a complete and utter lie--the book dealt with all that juicy conflict in the space of a couple dozen pages. Double you tee eff, mate?
Let’s face it, the secret baby device is pretty damn hackneyed, even when done well--and I speak this as somebody who’s actually enjoyed secret baby books in the past, despite my tendency to treat it like a piñata--so why exacerbate it by making everything so pat? So easy? So--dare I say it--treacly?
It’s not as if I’m especially bothered by predictability or spoilers; in fact, I’m the sort of sick freak who’ll occasionally sneak a peek at the ending of a book and continue happily reading. But once the secret baby was introduced, I had a sinking feeling in my stomach that the kid was going to show up later in the book, probably as a plot device to allow things to come to a head.
I didn’t especially enjoy being proven right on that score.
I’m not saying the heroine got off scot-free, or that the father didn’t display distress at being lied to. It’s just that the consequences weren’t enough, especially given the fantastic job Chase had done building the father’s character up and his connection with Charlotte--and really, the father, together with the villain were my two favorite characters in the book. Charlotte and Darius pretty much walked out of Casting Central in this one; in fact, I kept thinking of Charlotte as Whatsername from the moment I set the book down until I looked it up just a few minutes ago. They’re decent characters as far as they go, but they didn’t do much to make themselves memorable, and Charlotte, frankly, exasperated me when she started fucking Darius without agonizing over the consequences because GOOD GOD, WOMAN, HOW DID YOU THINK YOU GOT PREGNANT THE FIRST TIME? BY EATING TOO MUCH STRAWBERRY TRIFLE?
I also didn’t especially like the way the two of them fell in love so fast and so hard, given how the two of them are set up as these cautious characters who are all wary of love and marriage. The two of them really don’t get to interact all that much before they’re all goo-goo eyed (and loined) over each other. This aspect of the book, as with so many other aspects, felt rather slapdash and rushed. Not to say that there aren’t well-written whirlwind romances, some of them even featuring rather cynical characters, but I didn’t feel the spark in quite the same way I did with, say, Jessica and Sebastian in Lord of Scoundrels, or Daphne and Rupert in Mr. Impossible.
The rest of the book is passably well-written, because this is, after all, Loretta Chase we’re talking about. The banter is decent, and Charlotte and Darius spar amusingly, with a rather memorable scene in the library making me chuckle out loud. I just couldn’t help but feel that the book would’ve been vastly improved if, say, Charlotte had had to suffer the rest of her life not knowing what had happened to the child, or she and Darius had sparred more and had a relationship that had developed more slowly, or if we’d seen more of the fallout as a consequence of the bastard child Charlotte bore--in short, if the book hadn’t taken the easy way out so many damn times in a row.
I do have to mention that Chase did a great job with the secondary characters, because they take on a life and vividness that most other authors can only dream of for their main characters. Chase pulls off her characteristic inversion-of-expectations with the villain, a military man who, unlike the other suitors Charlotte has successfully brushed off, is smart enough to see through her tactics and deploy some novel tactics of his own. (Oh, would that Chase had done the same on the secret baby plot. Cry.) You’re set up to think he’s going to be an evil, evil bastard, but no, he ends up being a human. Fancy that.
When I put this book down, I thought “Meh. Yet another readable but predictable romance novel. Disappointing. B-.” But when I thought about the secret baby plot, the outrage at its squandered possibilities eclipsed my other reactions to the book, so I knocked it one down another half grade to C+. Then I re-read the irritating portions, and though still irritating, they really were quite well-written, so: back to B-. Verging on a C.
I checked a couple of other review sites and Amazon before making this review live, and it looks like most people loved this like it was their mama. So bring it, bitches! Tell me how wrong I am.










by SB Sarah • Monday, June 11, 2007 at 03:03 PM
Many, many people emailed me this story today, so many thanks go out for the opportunity to savor this delicious story: seems the guy who plays Adam in the Creation Museum’s multimedia exhibit has been showing off his serpent in other gardens, prompting museum folks to pull the video from their exhibit.
The actor, Eric Linden, owns a graphic Web site called Bedroom Acrobat, where he has been pictured, smiling alongside a drag queen, in a T-shirt brandishing the site’s sexually suggestive logo. The Web site, which has a network of members, allows users to post explicit stories and photos. He also sells clothing for SFX International, whose initials appear on clothing to spell “SEX” from afar. It promotes “free love,""pleasure" and “thrillz.”
Gotta love thrillz. Of course, Linden seems to have his head on straight - both of them:
“For the Creation Museum, I did what I did as an actor. It doesn’t necessarily mean I believe in evolution or a believe in creation,” Linden said. “I’m hired to get a point across. On the flip side, if I was hired to play a murderer, that doesn’t mean I’d go out and kill somebody. It’s make-believe.”
Yet the museum isn’t seeing it that way:
“We are currently investigating the veracity of these serious claims of his participation in projects that don’t align with the biblical standards and moral code upon which the ministry was founded,” Answers for Genesis spokesman Mark Looy said in a written statement.
Oh dear, oh dear. Only the purest of actors can participate, it seems. There are so many to choose from, too.
In keeping with the moral code and standards upon which this site was founded, I won’t name all the many, many generous and fabulously-dressed individuals who sent me this link for our collective enjoyment. So perhaps it was the person next to you, or the dude driving just a little too slow on the highway, or the checkout lady at Target. You just don’t know, so be grateful to everyone you meet, as they might be one of the folks who spread this little bit of joy today.












by Candy • Monday, June 11, 2007 at 06:32 AM
*drumroll*
HaikuKatie!
She beat Iffygenia and her marvelous “Modern Major-General” parody by an asshair--and really, “asshair” seems the most appropriate term for somebody narrowly winning a poetry contest about The Hoff.
Congratulations, HaikuKatie. A package of Hofftastic Awesomeness should be arriving at your doorstep soon.










by SB Sarah • Monday, June 11, 2007 at 03:10 AM
Our Grade:
Title: Agnes and the Hitman
Author: Jennifer Crusie and Bob Mayer
Publication Info: St. Martin's Press August 21, 2007, ISBN: 0312363044
Genre: Romantic Suspense

Agnes just bought her dream home from the mother of a friend of hers. She has a newspaper column as a food writer under the moniker “Cranky Agnes” and is a generous woman who wants a permanent family - which shouldn’t be a problem, since she loves feeding people, but somehow, it is. Aside from a not-very-small anger problem that usually manifests itself with a frying pan and someone’s cranium (often a fiance or boyfriend caught cheating on her), Agnes is pretty awesome. In fact, now that I’m finished with the book, I’m going to miss her.
Shane, as the back cover says, “Just ‘Shane,’” is a hitman. His Uncle Joey asks him to come to the very very back of the backwater that is Keyes, South Carolina, to take care of a “little Agnes,” who seems to be under attack, as someone tries to steal her dog - though that someone ends up getting beat down with a frying pan for their trouble. Shane arrives, and indeed, people are entering the house attempting to shoot Agnes. Add to that a wedding to throw, a grandmother of the bride and former homeowner trying to sabotage the whole shebang so she can get her house back AND keep the downpayment, a somewhat secretive and very steel-Magnolia mother of the groom, a mother of the bride who is caught between wanting revenge on her mother for a world of hurts and wanting the best wedding for her daughter, and a bride and a groom caught between all these crazy ladies, and Agnes has her share of problems to work out in a few day’s time.
Unfortunately, the arrival of Shane brings with it additional problems which can be filed under the heading of “mob,” “elderly but not retired mob,” “other hitmen,” and “25-year-old scheme to recover $5 million dollars,” and since Shane and Agnes are drawn to each other in primitive and intimate ways, their problems create a very very soupy mess.
Yes, this is certainly a bunch of problems. In fact, I’d say it’s an anthology of problems, but if I did, someone might come after me with a frying pan. So we’ll pretend I didn’t say the “a” word.
What did I like about this book? A whole mess of a lot. It’s not easy to put down, because much like Mayer and Crusie’s last book, it starts running and picks up speed. The many threads of the story and the ancillary characters that reappear keep the reader paying attention, but it’s not the kind of paying attention that’s exhausting. It’s more of a “can’t-wait-to-find-out-what’s-next” anticipation that keeps the reader involved. I stayed up WAY too late reading this book, and had to stop myself from sneaking chapters at work. It was that bad of a good book.
I liked Agnes, and could relate to her learning to be angry AND smart instead of just angry and full of rage, and I liked Shane, who had to learn to trust people and accept that he might be ready for a change in his life. Rooting for them was easy, and believing in their relationship was somewhat simple, though the reader has to accept a high-speed relationship because the rest of the book is moving at warp speed.
There were secondary characters I wanted to learn more about, and in one case, care more about. The mother of the bride, Lisa Livia, is a huge part of Agnes’ life, but their interactions left me with much less of a sense of Lisa Livia than the understanding I had of Agnes, and the uneven character development as far as those two women were concerned was a bummer. The secondary character stable of men was also a bit uneven. I wanted to know more about Shane’s partner, Carpenter, because I was totally into him but never had a clear picture of him in my mind. Crusie and Mayer are, I think, deliberately skimpy on the physical descriptions, and seem to want the reader’s understanding of the characters to be based on exactly that: character. So it wasn’t like I was miffed that I didn’t get a “he looked in the mirror and his hair was an anthology of brown and copper, his eyes an anthology of hazel and green, fringed with anthological lashes.” Not at all. It was more like their backstory was half-painted and I wanted the rest because the completed parts of the depiction were so deep and fascinating.
But what has me really stewing - in a good way - on this book is that it’s not only a romance, a mystery, a mob story and an adventure, it’s also very, very much an examination of evil and gender. Without giving too much away, Crusie and Mayer play with the idea of what the reader will accept in terms of conscienceless, selfish, murderous and evil behavior, and from what characters that behavior can emerge without any gender-laden questions of stereotyped outrage.
I’m sure I’m not making a lick of sense here. Suffice it to say that there are several nefarious characters, and part of discovering who they are and what their motivation is (Selfishness? Insanity? Selfishness? Greed? Insanity? Or just plain conscienceless evil?) means examining your own expectations of motivation and hate superimposed on concepts of gender and sex. Further, the story makes me question whether my reaction of loathing to one character was heightened by at least some good memories of that character in Agnes’ recollections and by the chance that character might get a clue and stop being such a complete douchebag, while the dislike I had for other nefarious characters was less of a loathing and more of a slowly building expectation and anticipation of their being totally destroyed.
I finished the book this morning after a marathon 3-day reading spree that included staying up until way, way past my bedtime last night, and it more than cleansed my palette after reading that other book about savage booty. It’s certainly not a romance in the traditional sense, in that the protagonists’ relationship is not the ultimate center of the story, but the plot twists and surprises hinge on both their romance and the mystery that surrounds them and the rest of the characters. And their ultimate connection, as well as the rest of the story, is supremely satisfying.










by SB Sarah • Sunday, June 10, 2007 at 07:29 AM
Our Grade:
Title: Savage Moon
Author: Cassie Edwards
Publication Info: Dorchester 2002, ISBN: 0843949635
Genre: Historical: Other
Browser compatibility issues? GROWL!
Below is the text from the review of Cassie Edwards’ Savage Moon, with the comments in italics and not Javascript-enabled. So if you can’t read the entry with the Java comments, please enjoy below.
“Misshi, you are in such deep thought. What were you thinking about, little sister, that made you smile so sweetly?”
No way dude. Do not ask what her thoughts were. I cannot handle an incest subplot. It’s only page 6.
“You, big brother, you.”
She reached over and placed a hand on his knee.
“Maybe I’d best not ask what your thoughts were, but you were smiling, weren’t you?”
For the record: I was not smiling
“It tears at my heart to know that such a man has my sister.” He would hunt down Chief Bear and kill the savage himself. If… she...was still alive!
Note: ellipses are for em...pha...sis....
...
“Son, your tepee awaits you. Foods that you kill will cook over the flames of the fires. I have taught you not only how to be a strong leader with the right morals, but I have also taken the time to teach you the art of cooking, since you and your braves will not have mothers, or daughters, or even cousins to cook for you.”
Heaven forbid he not have the right morals, or that the reader not be informed of them through wooden dialogue! And clearly his mother’s other Indian name: JuliaFuckingChild.
When she saw the lifeless body...she knew the one lying there was her husband. Signing with relief, for she did love the man no matter the havoc he wreaked everywhere he went, she fell to her knees.
Of course she loves him. He kills people in fits of rage and she has had to send her only child away for his own safety. How can you not love a man like that?
He was devoted to his small group.... And with a woman by his side, giving him the nourishment of her love, could he not be twice the leader he was said to be today?
Sounds like Soaring Hawk is really just tired of cooking for himself.
My heart is heavy. I cannot put everyone in danger only because the boy in me wants to go to my mother.
What a weenus
...
Misshi signed happily. She had adapted well to life with these kind Shoshone. She had even dyed her hair black with the stalks of a root called we-sha-sha so that she could look like an Indian. She was so very fond of her life as an Indian maiden that she was averse to the idea of going back to live in the white world.
Looking for the backstory of how she adapted to this new life? This is all you get
“It seems that fate today has arranged that you and my adopted daughter should finally meet. Perhaps it is the will of the spirits. I am not one to argue with fate.”
Fate, huh? Chief Stepfather clearly studied his Greek and Roman mythology in Indian chief school.
...
“My son is too astute to take such bait.... He is a man who prays and whose prayers are answered. In his prayers he sees his mother well and strong.”
Part of those morals she taught, huh? Christian rhetoric towards prayer? In my prayers I see myself with no recollection that this book exists.
...
He had to see to Chief Bear’s demise. Of late he had discovered he had a talent for singing. He couldn’t help wondering how it would feel to perform before an audience in St. Louis’s beautiful opera house.
See? I was not kidding. Opera + Lisp = Subtle reference to gayness and therefore teh evil.
...
He was sure she had feelings for him, and that knowledge made his loins ache with need of her. He wanted her with him always!
When a man you have never met before realizes his loins ache with need of you...now THAT is Impulse. Or VD.
“Soaring Hawk, is it not time for your blankets to be warmed by a woman’s body? Does not Misshi stir your loins?”
That would be her stepfather talking. At this scene I crossed my legs and felt ill.
She gasped, embarrassed by Washakie’s openness in speaking about Soaring Hawk’s loins!
I did not want to know about his loins, either, but no one asked me.
But nearby, glittering evil green eyes watched them from high above, soon to make a beautiful moon become suddenly...savage.
Did you miss that? The moon is...savage? Like the title of the book? Yeah? You got that? Ok then.
Because life was harsh here in Wyoming land.
It is pretty fucking awful here in Jersey land because I am still reading this goddam piece of shite book.
...
“Do you truly think I can learn how to ride a horse again?”
“You will ride, you will feel the freedom of riding, and you will feel the joy it brings to your heart.”
Yeah. Subtle, there, Mr. Hawk. Also, would the concept of a heart properly belong in Shoshone vernacular?
“When I wish to be alone with my prayers, I come to this secret place. One day, though, it will be discovered by whites.”
‘You mean like the one next to you? You want to offend the girl who stirs your loins?
“It is so beautiful,” Misshi sighed.
Never mind. She is too stupid to be offended.
A blaze of urgency filled her as his tongue continued to pleasure her in a way she would have thought forbidden. But the wild exuberant passion it created within her made her uncaring of society’s rules.
What society? Does Native American society forbid oral sex? Or was she thinking of Regency society?
“Nei-com-man-pe-ein, I love you, woman,” Soaring Hawk said huskily, then crushed her lips with a heated kiss and ground his body into hers until they both moaned.
Probably because it hurt. Ow.
...
“Those responsible for this kill might be close enough to grab you.”
“Then go and I will go with you; I shall keep my eyes closed.”
Can I keep my eyes closed, too? For the rest of the book?
...
He knew that this night would not pass without their coming together as lovers!
Chiefs who speak in exclamation points are probably lousy in bed, though.
In Shoshone and Bannock the North Star is called Wa-se-a-ure-chah-pe, and then there is Ursa Major which his also called the Seven Stars and The Wagon. It makes its revolution around the polar star, pointing toward it. This is the secret of how my people travel by night when there is no moon.”
Time to show off a small amount of research!’
“I love the Milky Way.” I love how it is called moch-pa-achon-ka-hoo, the backbone of the sky.”
This is one hell of a Wiki article she read.
“We also believe the Aurora Borealis is a cloud of fire.”
At least, we believe it because the internet says we do.
Nothing had stopped Chief Bear’s hate until that bullet entered the base of his skull and rendered him almost a vegetable.
Yes. Native Americans totally used that phrase to describe catatonic people.
Misshi turned toward White Snow Feather. She tried to ignore the resentment in the depths of the woman’s eyes.
“White Snow Feather, I can never forget what Chief Bear did to my family, and I’m not sure I can ever forgive him, but if Soaring Hawk can bargain for his release, I will not interfere.”
Just that quickly, the antagonism White Snow Feather had felt for Misshi was gone.
You mean your conflict with your mother in law is not solved this easily?’
His father wasn’t even aware when Soaring Hawk could no longer hold back his tears and took Chief Bear into his arms. “Oh, Father, is it I. It is Soaring Hawk who has come to take you home to Mother.”
What a weenus.
...
“This is our special night. My woman, I have not even played my flute of love for you.”
NO NO NO. DO NOT PLAY YOUR FLUTE OF LOVE.
He was proud of her knowledge of the Shoshone way of healing. She knew so much, no Shaman was required to ensure Soaring Hawk’s health.
She is a regular powerhouse of healing, yet she is dumb as tree bark.
“See the dried material on the very tips of the sharpened stone arrowhead?” Soaring Hawk said, pointing toward it. “The points of these arrowheads have been dipped into a mixture of pulverized ants and the spleen of an animal that has been allowed to decay in the direct rays of the sun,” Soaring Hawk said grimly. “This rotten mixture combined with rattlesnake venom is the deadliest of weapons.”
Hey! It is CSI: Shoshone!
Misshi fell to her knees. “Finding these scalps and these arrows proves that my brother has been killing whites and making it look like the work of Indians.”
Or merely that he likes to kill people and keep souvenirs under his floorboards. Nice aroma. Hides the crazy person smell.
...
“During council, I had a premonition you weren’t safe.”
Nah. Really they were about to form a task force and he ran out of there before they appointed him to it.
“Big brother, who was the true savage! You were, Dale, you were.”
Yeah. You were. In case you missed all the scalping earlier, gentle reader. In ironic twist: white brother = savage.
“These flowers will help erase the ugliness I just went through.”
Where are my fucking flowers that can erase the ugliness I went through!? SOMEONE GET THOSE HEALING MEMORY ERASING FLOWERS ON THE PORCH - STAT!










by SB Sarah • Saturday, June 09, 2007 at 07:00 PM
Our Grade:
Title: Savage Moon
Author: Cassie Edwards
Publication Info: Dorchester 2002, ISBN: 0843949635
Genre: Historical: Other

It’s awful. it’s just awful.
Does that sum it up enough? No? You want me to relive the story details for you, to put my brain through the egg beater one more time? I’m already mour stupidur for having read this stinker of a book. But fine.
About two or three weeks ago, anonymous packages started showing up on my porch every few days. Inside each one was a Cassie Edwards novel. Due to this absurdly generous person, I am now the proud owner of Savage Moon, Savage Hope and a few other savage titles that I’m not even going to get up out of this chair to go verify. There are five Savages currently living in my bookshelf. I have them isolated. No telling what contagion they might pass on to the other books.
I mentioned the arrival of these packages of poop in book form to Candy, who, if it were possible to do so over IM, snickered and professed innocence to any idea that Cassie Edwards might need to find a home on my poor bookshelf. Despite the fact that each book bears a sales tag from Powell’s, which last I checked was in OREGON, the same state as presently houses CANDY (and also LILITH so do not THINK you are off the hook, ma’am), I have no concrete proof as to who set me up the bomb.
Then Candy, evil wench that she is, publicly challenged me to a duel of sorts: read a horrid book, write a review. I, of course, was conveniently gifted with a shit buffet of Edwards oeuvre, so why shouldn’t I put myself through the agony of reading one of these savage monstrosities?
Trouble was, I had to pick one. So I picked Savage Moon since the title was funny enough that perhaps laughing at it could give me a small soothing balm of comfort while I poisoned my brain. Alas, the Moon did little to help me. Thus book sucked donkey balls. There isn’t an F low enough to throw at it. I might have to modify our grading schedule and give it a Z except that the poor letter Z did nothing to deserve being permanently stuck on a Cassie Edwards novel.
Let me give you a brief plot summary: Misshi Bradley, who is really named Mitzi but her older brother has a monster of a lisp and can’t say her name so Misshi she is, thereby damning me to think of Misha Baryshnikov, is on a wagon at age 10 heading west. Her parents are dead, her siblings are dead, and the only family member left is her older brother, Dale. As expected, their wagon train is attacked by a renegade band of Shoshone Indians, lead by Chief Bear, who grabs Misshi with her wild red hair, throws her over his saddle, and rides away. Dale manages to get off one shot, which lodges in Chief Bear’s head, completely scrambling his brains, though he does manage to hold onto a squirming 10 year old tossed across his saddle.
Misshi is brought to Chief Bear’s camp but makes her escape in the fuss the others make over Chief Bear’s incapacitated state. Moments before Chief Bear and his comatose self are brought into the camp, however, Chief Bear’s wife helps their only son, Soaring Hawk, escape to form a camp of his own, because he does not approve of his fathers renegade ways. Trust me, he doesn’t approve. He says it about six time in one page.
Ten years later, when Misshi is conveniently 18 years of age, the book reveals that she’s been miraculously adopted by a neighboring Shoshone tribe and made the adopted daughter of the chief. How this was accomplished, no one knows, least of all me because the book didn’t tell me, but Misshi is a happy, dimwitted dipshit of a heroine in the Edwards mold, and has dyed her hair black with some random but powerful weed so she can blend in better with the other Shoshone.
Her adopted father turns out to be something of a mentor to Soaring Hawk, who is now a chief in his own right, and his little band of not-so-renegade-but-yet-renegade dudes has grown and remained safe and happy in their secret location. Soaring Hawk meets Misshi, their respective nether parts burst in to flame, and the obstacles they have to overcome to find their happy ending revolve around the fact that she’s white with red hair. Misshi realizes her appearance as a Shoshone is only skin deep, and she must struggle to find emotional and cultural balance between her old life, her yearning to be reunited with her brother, and her new potential life as a chief’s white wife, even IF the other members of his group accept her.
HA! I’m kidding. Honest appraisal of cultural difference? You are barking up the wrong shit tree. Not here, my friend. The obstacles facing Misshi and Soarking Hawk’s happiness stem from her brother Dale’s having gone batshit crazy while serving in the military. Vowing revenge for the kidnapping of his sister, he dresses as an Indian and attacks Indian camps and wagon trains, scalping and killing everyone in site, and saving the scalps as tribute to his lost sister. As soon as he finds Chief Bear, whom he doesn’t know has had his chiefly brains turned into a cerebral scramble, he plans on quitting his life of bloody crime and going off to St. Louis to be an opera singer.
No really. I’m not making that up.
Since I had to go through the experience of not only reading this tripe but reading it PUBLIC where people on the bus could SEE that I was reading this tripe, I figured, what better way to share my journey through the Cassie circle of hell than to excerpt my very favorite parts of the book and footnote them with my reaction. Hold your mouse over the hypertext and a small window should appear. Let me know if it doesn’t work in your browser.
Journey with me now. But take some Pepto first.
"Misshi, you are in such deep thought. What were you thinking about, little sister, that made you smile so sweetly?"
"You, big brother, you."
She reached over and placed a hand on his knee.
"Maybe I'd best not ask
what your thoughts were, but you were smiling, weren't
you?"
"It tears at my heart to know that such a man has my sister." He would hunt down Chief Bear and kill the savage himself. If... she...was still alive!
...
"Son, your tepee awaits you. Foods that you kill will cook over the flames of the fires. I have taught you not only how to be a strong leader with the right morals, but I have also taken the time to teach you the art of cooking, since you and your braves will not have mothers, or daughters, or even cousins to cook for you."
When she saw the lifeless body...she knew the one lying there was her husband. Signing with relief, for she did love the man no matter the havoc he wreaked everywhere he went, she fell to her knees.
He was devoted to his small group.... And with a woman by his side, giving him the nourishment of her love, could he not be twice the leader he was said to be today?
My heart is heavy. I cannot put everyone in danger only because the boy in me wants to go to my mother.
...
Misshi signed happily. She had adapted well to life with these kind Shoshone. She had even dyed her hair black with the stalks of a root called we-sha-sha so that she could look like an Indian. She was so very fond of her life as an Indian maiden that she was averse to the idea of going back to live in the white world.
"It seems that fate today has arranged that you and my adopted daughter should finally meet. Perhaps it is the will of the spirits. I am not one to argue with fate."
...
"My son is too astute to take such bait.... He is a man who prays and whose prayers are answered. In his prayers he sees his mother well and strong."
...
He had to see to Chief Bear's demise. Of late he had discovered he had a talent for singing. He couldn't help wondering how it would feel to perform before an audience in St. Louis's beautiful opera house.
...
He was sure she had feelings for him, and that knowledge made his loins ache with need of her. He wanted her with him always!
"Soaring Hawk, is it not time for your blankets to be warmed by a woman's body? Does not Misshi stir your loins?"
She gasped, embarrassed by Washakie's openness in speaking about Soaring Hawk's loins!
But nearby, glittering evil green eyes watched them from high above, soon to make a beautiful moon become suddenly...savage.
Because life was harsh here in Wyoming land.
...
"Do you truly think I can learn how to ride a horse again?"
"You will ride, you will feel the freedom of riding, and you will feel the joy it brings to your heart."
"When I wish to be alone with my prayers, I come to this secret place. One day, though, it will be discovered by whites."
"It is so beautiful," Misshi sighed.
A blaze of urgency filled her as his tongue continued to pleasure her in a way she would have thought forbidden. But the wild exuberant passion it created within her made her uncaring of society's rules.
"Nei-com-man-pe-ein, I love you, woman," Soaring Hawk said huskily, then crushed her lips with a heated kiss and ground his body into hers until they both moaned.
...
"Those responsible for this kill might be close enough to grab you."
"Then go and I will go with you; I shall keep my eyes closed."
...
He knew that this night would not pass without their coming together as lovers!
In Shoshone and Bannock the North Star is called Wa-se-a-ure-chah-pe, and then there is Ursa Major which his also called the Seven Stars and The Wagon. It makes its revolution around the polar star, pointing toward it. This is the secret of how my people travel by night when there is no moon."
"I love the Milky Way." I love how it is called moch-pa-achon-ka-hoo, the backbone of the sky."
"We also believe the Aurora Borealis is a cloud of fire."
Nothing had stopped Chief Bear's hate until that bullet entered the base of his skull and rendered him almost a vegetable.
Misshi turned toward White Snow Feather. She tried to ignore the resentment in the depths of the woman's eyes.
"White Snow Feather, I can never forget what Chief Bear did to my family, and I'm not sure I can ever forgive him, but if Soaring Hawk can bargain for his release, I will not interfere."
Just that quickly, the antagonism White Snow Feather had felt for Misshi was gone.
His father wasn't even aware when Soaring Hawk could no longer hold back his tears and took Chief Bear into his arms. "Oh, Father, is it I. It is Soaring Hawk who has come to take you home to Mother."
...
"This is our special night. My woman, I have not even played my flute of love for you."
He was proud of her knowledge of the Shoshone way of healing. She knew so much, no Shaman was required to ensure Soaring Hawk's health.
"See the dried material on the very tips of the sharpened stone arrowhead?" Soaring Hawk said, pointing toward it. "The points of these arrowheads have been dipped into a mixture of pulverized ants and the spleen of an animal that has been allowed to decay in the direct rays of the sun," Soaring Hawk said grimly. "This rotten mixture combined with rattlesnake venom is the deadliest of weapons."
Misshi fell to her knees. "Finding these scalps and these arrows proves that my brother has been killing whites and making it look like the work of Indians."
...
"During council, I had a premonition you weren't safe."
"Big brother, who was the true savage! You were, Dale, you were."
"These flowers will help erase the ugliness I just went through."
So there you have it: brain poison, Cassie Edwards style. I have to seriously question WHY this shit is continually published? I know the short answer is that many someones, somewhere out there, is buying this shit. But holy crap in a cover, why? How is it that this superficial, tawdry, poorly-written drivel passes as some sort of tribute to Native American culture? You know the crying Indian commercial from the 70's? He's not crying because he paddled through chemical waste and litter. He's crying because he just finished a Cassie Edwards novel that bastardized his culture into trite homilies and meaningless drivel.
Seriously, the presence of books like this on the market pisses me off. I take it personally that people are writing, marketing, and selling this crap because it is so utterly and completely terrible, it's culturally offensive, it's poorly written, and it's so very much the reason why romance novels have such a bad reputation. It's insulting to Native Americans, and it's insulting to me. F this book, literally.











by SB Sarah • Friday, June 08, 2007 at 09:10 AM
Behold! Inspired covers that derived inspiration from that most inspirational of museums. Send your votes for which one inspires you (to laugh, to cry, to lament the theocracy that undermines American democracy) to Sarah and Candy by June 12. One vote per person, please.
Note: because I am a doofus who forgot to state a size limit in the original contest announcement, I had to edit some of them to fit this here website.
Any questions, you know where to find us. In the garden of Eden, there, asking miss Eve what she’s using to get that shiny, shiny hair.
EDITED TO ADD: Please make sure to vote via email even if you leave a comment with your vote. Commented votes are unofficial, kind of like edit polls!
Entry #1
Entry #2
Entry #3
Entry #4
Entry #5
Entry #6
Entry #7
Entry #8
Entry #9
Entry #10
Entry #11
Entry #12






by SB Sarah • Friday, June 08, 2007 at 08:30 AM
I got this PowerPoint presentation in teh email today, and had to share. Because if it’s Friday, and it’s Smart Bitches, there must be kilts.
Kilt Power! (right click and download, Bitches!)
Enjoy!
EDITED TO ADD:
I OWE YOU ALL CHOCOLATE because I neglected to mention that this is OMG-SRSLY NOT SAFE FOR WORK.
No, really, NOT SAFE FOR WORK.
Geez. I feel like a tool. I’m sorry ya’ll!


by Candy • Friday, June 08, 2007 at 08:18 AM
*cue horn-like synth riff*
Butchered poems together
Laughed till we fell ill
And maybe there’ll be more
We have time to kill
I guess there is no one to blame
We’re being clowns
Hoffpoetry’s driving us insane
It’s the final countdown...
That’s right, motherHoffers! You have until midnight tonight to submit your Hoffpoem, and most importantly, VOTE FOR YOUR FAVORITE. Right now, I’m counting only one vote. Get Hoff your ass, and do it like it’s 1989.
Edited to add: Voting more than once is totally okay by us. Vote early, vote often, and feel free to submit more poems. It’s still wide open, folks.









by Candy • Thursday, June 07, 2007 at 03:23 AM
Sarah’s Gmail quote of the day was: “I am the literary equivalent of a Big Mac and fries.” - Stephen King.
That started us thinking: What does that say about romance authors? What’s their food item literary equivalent? Well, fear not, readers! Trust the Smart Bitches to come up with the perfect food counterpart for your favorite authors.
Nora Roberts: Ice-cream. You can always have ice-cream. Sometimes it’s a little bland or frosty, and sometimes it’s just what you needed when it’s hot as hell outside. Ice-cream is rarely, if ever, bad.
Cassie Edwards: Potted Meat Food product. It’s marketed as food, and it tries very, very hard to be food, but ultimately, it’s Food Product. Frighteningly ubiquitous, and therefore even more terrifying.
Laura Kinsale: Saffron. Rare and exclusive, but packs a huge wallop when used.
Laurell K. Hamilton: Cilantro. Some people LOVE her to the point of OMG obsession, and some people cannot stand her and think she tastes like soap.
Jennifer Crusie: Obvious choice: cherry pie.
Loretta Chase: Coconut milk. Looks like cow’s milk, but most decidedly is not cow’s milk, and adds incredible richness and flavor to any dish.
Julia Quinn: Trifle. Light, happy, not too maudlin, not too filling to be an after-dinner treat.
Catherine Coulter: Deep fried Twinkies. Once upon a time, it was a good junk food. Now? Not good at all, despite the potential.
Lisa Kleypas: A basic chocolate layer cake. Sometimes absolutely spectacular, sometimes pretty bland and chewy with frosting that’s too sweet, but dude, it’s still chocolate cake, so we’re having a piece.
Anne Stuart: Dark, dark chocolate with random habaneros hidden inside.
Sharon and Tom Curtis aka Laura London aka Robin James: An incredibly intricate, arcane cake that looks glazed and normal on the outside, then you cut a piece and holy crap there’s fondant and buttercream with fruit and about 18 layers of 1/2” thick rich cake in between, all sliced so thin it looked like someone used a razor.
Barbara Samuel: A really, really high-quality brownie. Deceptively simple ingredients, but incredibly dense and delicious.
Patricia Gaffney: A big bowl of hearty stew that’ll warm you to your toes and make you feel good. Unless it’s the older bodice ripper novels she wrote for Leisure, in which case, she’s cheese. Perhaps Swiss, for the plot holes. (We’re not necessarily knocking them, mind you. Candy owns almost all of them, and loves them all.)
Dara Joy: American Cheese. Cheesy, yet weirdly plastic, completely unearthly, not quite a food--yet a total guilty pleasure, should you choose to debase your palate so.
Connie Mason: Casu marzu. Cheese so bad, it can actually make you go BLIND.
Sharon Shinn: Sour cream blueberry muffins. People think she’s a quickbread, but really, they’re giant cupcakes without frosting that people justify to themselves as Not Cake because they eat them for breakfast and get them two tables over from the cupcakes. Some Bujold and Asaro novels qualify, too.
Judith McNaught: Grocery-store cupcakes. Sometimes, you just crave them, so you buy a box and eat, like, a dozen in a row. And you suddenly realize that you feel a bit boofy because they’re way too sweet and greasy, and not only that, they have the same basic taste, even though they claim to have different flavors and frostings. See also: Jude Deveraux and Johanna Lindsey.
Kathleen Woodiwiss: Chinese American food. Sometimes it hits the spot, but too often it panders to what people *think* Chinese food should be, so it’s way too salty, way too greasy, and WHY IN THE SHIT IS SOY SAUCE IN EVERYTHING? Just because it’s Chinese food doesn’t mean you slather soy sauce on all of it, you goddamn infidels.
Doughnut: JR Ward. Jhelli philled dhoughnutz, phull of ahngzt, pain and sadism--oops, sorry, zsadism, all skull-shaped with frosting fangs and tiny candy shitkicker boots, trying really hard to look hardcore and scary, but DUDE. It’s a DOUGHNUT. Sure, it’s tasty. It may be a Voodoo Doughtnut, even, and God knows Candy’s fond of those things--in fact, she loves them so much, she got married in the store. But c’mon. They’re DOUGHNUTS, PEOPLE. GET A GRIP.
Bertrice Small: Tex Mex. When done right, it can be yummy, but when mass-produced, contains way too much sour cream sauce and a lot of heat that’s weirdly flavorless.
Harlequin Presents: Cup O’ Noodles ramen. They’re highly standardized, they’re everywhere, they’re cheap, they aren’t especially filling, and nutritionally, they’re about the equivalent of a bag of rocks (actually, the bag of rocks might beat the ramen, because the dirt clinging to the rocks might provide a little B12), but they work if you need calories, and some of the variations can be pretty tasty.
Danielle Steel: Cheez doodles.
Susan Elizabeth Phillips: Tortilla chips. Delicious and addictive, but: Blue corn? White? Yellow? Low salt? Tequila salt? Extra salt? Pretty much about the same.
Diana Palmer: Biscuits. Made by virgins. Who are mistaken for whores by hard-faced Texan cowboys with women issues the size of, uh, Texas.
Stephanie Laurens’ Cynster series: Pocky. There’s Men’s Pocky, Almond Pocky, Strawberry Pocky, Green Tea Pocky, Coconut Pocky, Milk Pocky, Honey Pocky, Grape Pocky--Pocky Pocky Pocky. All variations of “sweet crap coating a pretzel stick.” And really, if “sweet crap coating a pretzel stick” doesn’t accurately describe all the humpings-on in a Laurens novel, we don’t know what does.
Edited to add:
Oops! Forgot to include this author in the entry:
Linda Howard: Foot-long hot dog with bullet-flavored relish and a lot of mustard. Can’t quite wrap your lips around that monster? TRY HARDER. RELAX. You’ll love it even as it hurts you. Really.


by SB Sarah • Wednesday, June 06, 2007 at 10:48 AM
In the romance world, there’s many an unspoken rule as pertains to authors and reviewers and whatall. Used to be you weren’t supposed to give incisive reviews of romance novels that said (*gasp*) critical or even mean things about a book.
Yeah, oops, we blew right by that rule, didn’t we?
Another unspoken rule: if thou art an author, thou shalt not speak unkindly to or about a review thou hast received.
So what happens when the reviewer, a reviewer in a Hugely Powerful Publication Of Much Circulation (HPPOMC), gives a review that is totally, completely, utterly, asshattedly wrong?
Note: Details obliquely masked for fun guess-who-ing.
A rather fruitful author has co-written a novel with a few other fruitful and popular authors. It’s not an anthology (a word that would strike fear in the hearts of those who order books, since anthologies do not sell well of late) or a series of interconnected novellas in one cover. It’s a novel with more than one protagonist pair.
Seems the HPPOMC reviewer labels it in the review as three novellas AND as a novel, then recommends the collaborating group write a novel next time.
“Huh?” says SB Sarah.
“Gross mislabeling and the kiss of death,” says the fruitful author. Said author questions with ire whether the HPPOMC reviewer read the book in the first place.
Now, we’ve talked about reviewers who give away the ending a la Harriet Klausner, and the negative backlash against those authors who snark back at reviews they don’t like. But what do you do when a reviewer in a Hugely Powerful Publication Of Much Circulation gets the type of book and details wrong, so wrong that you, the author, question whether the reviewer read it in the first place?
The authors are tempted to take pen to paper and dish out a helping of cannon fire at the HPPOMC, stating that the review as written makes it clear that the reviewer was phoning it in, never read the book, and needs a right smackdown. But of course, they don’t wish to look like whiny dweebs who grouse at the sign of a negative review, even though it’s not the negative review they’d be focusing on, but the part where the reviewer got it so wrong it’s questionable as to whether said reviewer ever cracked the spine.
What would you do?
Do you speak up? Do you write the publication and say, “WTFBBQ?” Do you let it be? Do you take to the internet? How far can an author push against the “Act like you don’t care and say nothing unkind about reviews” rule when that review gets the subgenre and format of the book itself oh, so very very wrong?







by SB Sarah • Wednesday, June 06, 2007 at 06:00 AM
When I returned from my Hoffgazing, I emailed Candy, who said, among other things, “HOLY CRAP” and “How was it?”
Sarah: It was breathtaking. Seriously. And I’m SO PISSED that I grabbed the wrong camera cable because I cannot upload the picture of me & Hoffster until I find the right cable.
Candy: DUDE! You took a picture of yourself and The Hoff?
DUDE!
So how long was the line? And what’s he look like in person?
Sarah: Oh no, Hoff’s publicist’s assistant took a picture of ME, The HOFF, and my HOFF PLANE.
I think that plane might need to be a prize on SBTB for something.
The line was probably about 100 people, maybe, and he looks rather sculpted in person, in a scalpel sense, not a Bowflex sense.
Candy: The HOFF PLANE definitely needs to be some kind of SBTB prize, I think.
Maybe some sort of poetry competition? Compose an Ode to Hoff, and win the autographed Hoffplane?
And then… IT WAS ON.
Candy: This Is Just to Say
I have folded
the Hoffplanes
that were in
your printer tray
and which
you were probably
saving
to throw at your coworkers
Forgive me
they looked awesome on fire
So burny
and so crashy
Sarah: Once upon a midnight dreary as I read, confused and weary
over yet another page of Hasselhoff’n lore.
While I pondered, nearly napping, out of nowhere came a tapping
of a HoffPlane flamely flapping, flapping at my bedroom door.
“‘Tis some washed up B-list star, tapping at my bedroom door.
Only this and nothing more.”
Candy: The Love Song of D. Michael Hasselhoff (abbreviated)
Let us go then, you and I
When the evening is spread out against the sky
Like yet another drowning victim rescued on Baywatch;
Let us go, through certain half-deserted aisles
The garish guiles
Of straight-to-video movie posters in cult video rental stores
And sticky-floored second-run theaters of yore:
B-movie plots that follow like a tedious argument
Of lascivious intent
To lead you to an overwhelming question…
Oh, do not ask “What is it?”
Let us go and make our visit.
In the bookstore women stand, a train,
Waiting for the Hoff to sign their plane
* * * *
No! I am not Bruce Campbell, nor was meant to be;
Am a driver of talking cars, one that will do
To make a cameo, star in a TV