





by SB Sarah • Thursday, February 02, 2006 at 06:28 PM
I’m sure no one’s ever thought to ask the romance writing, reading, and snarking community this question, but what about Valentine’s Day? What’s your take on it? Hokey holiday? Forced admissions of love, declarations of ardor, demands for sex, and welcome gifts of chocolate and giant fuzzy heart pillows that say “Amor?” Or a genuine opportunity to express your love and admiration for those nice folks in your life?
Personally, Hubby and I never managed to get together on 2/14 the entire time we had a long-distance relationship, which constituted the first three years we were together. But somehow we made it by the 15th, so that’s when we celebrate our “Valentine’s Day.”
Also, on the 15th? All that candy I don’t want to be eating? Is on sale! Whoo!
So what does the romance world think of the forced treacly romantic expectations of Valentine’s Day?
And don’t forget, March 14 is S&BJ day! Wonder if anyone’s written an S&BJ-themed romance....


by SB Sarah • Wednesday, February 01, 2006 at 01:42 AM
According to this article in the Duluth Superior, should you be shopping for a getaway this Valentine’s day, romantic destinations are found around the world: take your honey to Savannah, GA, which I agree is a fantastically romantic city, or spring for the big airfare and take her to Australia. I love how the heading doesn’t mention a specific city or even a region, just the whole damn country. Perth? Melbourne? Adelaide? Sydney? Uluru? Equally broad: Zanzibar! Jamaica! Patagonia!
Sweeping recommendations aside ("The Motel 6 in Patagonia, honey? Oh, you shouldn’t have!” “Priceline, baby. Priceline.” “Oh, you’re so romantic."), the article made me wonder about romance novel settings, and romantic places in general.
Personally, I tend to shy away from places that are marketed as “romantic.” From the posh to the pedestrian, anything hyped as romantic will certainly have less than the ideal amount of Luuuuuurve™ Potential once I arrive and inspect it myself. For example: the Pocono resorts in Pennsylvania.Crack open a bridal magazine and you’ll see their ads in the back: champagne glass shaped hot tubs, pools in your room, fireplaces. And have mercy, the reports I’ve received from how crusty and gross those rooms really are. Not romantic at all, unless your idea of romance is a blacklight, a petri dish, and some seriously curious carpet stain samples.
The romantic hype almost always indicates a let down for me, especially because romance is usually infused by the feelings between the couple experiencing the place. Hubby and I think driving long distances together is romantic. The car make and model doesn’t usually matter, although I was never fond of summer on the fake pleather seats of his poo-colored Pontiac 6000. I peeled my legs off that seat like a fruit roll up coming off the plastic liner. Yuck.
Savannah? Certainly romantic. But I also think parts of Pittsburgh are romantic, because that’s where Hubby and I grew up. Same with certain spots in Morgantown, West Virginia, where Hubby and I got together while working at a summer sleepaway camp.
But am I going to get all excited about a romance set in Pittsburgh, or perhaps Mo-town? Hardly. While those spots are romantic solely for myself and Hubby, when I’m looking for romance in a novel format, I don’t gravitate towards one particular setting as a rule, though when I think about it, there’s a lot of cliches to be found in the setting. And thinking about cliches gets me ruminating indeed.
Someone should put together a Grand Tour of Romance Novel Locales:
England, Scotland, Ireland, some bits of Italy, maybe even an adventurous genre-breaking foray in to France. But what of the States? What romance novel locations are consistently hyped up by multiple mentions in publication around the US and Canada?
Well, there’s always The West. Start with some prairie dogs, dust, and perhaps a wagon wheel, and, historical or contemporary, just add cowboy and you’ve got romances. Lots of them!
There’s the South as well: both the riverboat gambling/bayou swamp South and the Old South romance of Spanish moss, verandahs, and strict social conventions.
More than a few are set in New York City, and LA. Usually, and again, sweeping generalities here, if you pop quizzed me on what setting equals what plot: New York City is fashion, media and/or advertising. And big corporate business. LA is movies, tv, celebrity in general. NYC is cold, LA is warm, insert appropriate clothing mentions here.
So, generalities aside, how important is setting in what you choose to read, and, where you choose to go for a romantic evening? Would you read about the same place you’d visit for a romantic weekend trip? More to the point, what romantic places do you prefer to read about, and are the same as where you’d like to visit?





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by Candy • Tuesday, January 31, 2006 at 12:51 PM
I wrote this short ‘splosion-on-a-page about the appeal of polyamorous romances and group sex for Romancing the Blog a while back, and I find it immensely flattering that they will occasionally re-post it as part of their “Best Of” series. The responses to this article seem to fall into one of several different categories:
1. OMG YES WOO DAMN HOT
2. It all depends on the author.
3. Not for me, but vive la difference!
4. Cheating is not romantic, and I don’t want to read about infidelity in my romances.
5. It’s neither romantic nor sexy because it’s immoral/pornographic.
6. It’s neither romantic nor sexy because it’s too unrealistic/the dynamics make my head hurt.
Responses number 4 and 5 I find somewhat...well, puzzling is not the right word, but it’s the closest I can come up with right now. (Hey, I misspelled “challenge” just a few days ago, and just last night said “national” when I meant “natural,” so cut me some slack right now, OK? Brain faculties still not operating at 100%. Or even 75%.) Response number 4 is just plain misses the point, in my opinion--infidelity by definition involves lying and breaking one’s promise to be faithful, whereas consensual group sex and polyamory involves the informed consent of all parties. Two entirely different things, though I can see how many people still wouldn’t view group love as either sexy or romantic.
Answer number 5 bothers me quite a bit in a myriad of different ways, and it’s related to a rant I’d written months ago about the definition of romance. It has to do with the way people identify something they don’t like and attach a myriad of other judgments to this distaste. Instead of saying “This grosses me out,” the conclusion they reach is, “This grosses me out, therefore it’s wrong and doesn’t belong in romance novels.”
In short, it bothers me when people seem to automatically judge something they find kind of squicky as immoral.
Now, obviously there’s some overlap in terms of squick and immorality. Pedophilia and bestiality are probably the two clearest examples of sex acts that are both squick + immoral. But that’s because when it comes to sexual immorality, my gold standard is “Was informed consent provided?” If all parties are adults and able to provide informed consent, I don’t think of it as immoral, even if the practices push hard against my squick barrier. Anal fisting, for example, makes me go “BLEEUUUURRRGH,” and I’d be able to point out some of the more obvious health risks involved when engaged in such sexual practices, but I don’t think it’s immoral, and hey, if it turns somebody’s crank, then bully for them; may their bucket of Astroglide never run dry and may the colorectal prolapse be averted.
However, it’s a very human impulse to view sexual practices that deviate from the norm (whatever the fuck that norm may happen to be) as immoral and wrong. Centuries, hell, millennia of effort have been poured into delineating what’s acceptable and not acceptable sexual practice in cultures all over the world. Sex is a scary force, it seems, and regulating it has been of tantamount interest for a very long time, despite its ultimate futility--let’s face it, you can tell people teh buttsecks is wrong to engage in all you like, but once the doors are closed, there’s no telling how that ass be tapped, and you can bet on the fact that if something feels good, people will always find a way to sneak around proscriptions. The persistence behind sexual mores puzzles me somewhat, I admit, and once I feel more clear-headed, I may be able to provide more opinions (read: inchoate ramblings, but you regular readers pretty much know that already, right?) on this. It all ties into issues of control, of course, but there seem to be other undercurrents at work as well. Any social scientists want to pipe up about this?
Another point of interest was brought up by Miss Black, who wrote in the comments:
Personally, I have nothing against sexual fantasies. They are great. But they need to be in a genre of their own. Not the romance genre. It’s confusing to readers.
Romance novels are about the emotional needs, the idea of commitment, despite obstacles. It’s about love. Sexual fantasies are part of it, but not the whole.
Now, personally, I enjoy reading about emotional and physical intimacy in great detail. Thus far, romance novels have focused largely on the emotional intimacy, but with the advent of erotic romances, physical intimacy and the part sex plays in a romantic relationship have taken on a much larger role.
I can understand that some people don’t necessarily enjoy reading sex scenes, and I can also understand that some people have vastly different tolerance levels when it comes to the degree of explicitness they enjoy. What I don’t necessarily get is the (to me) artificial separation of sex from love. To me, sex is a necessary (though not a sufficient) condition for romantic love to flourish. (On the flip side, romantic love isn’t necessary for sexual attraction to prosper. That, however, doesn’t change anything about my premise that sex is an integral component of romantic love.) Attempting to separate the sexual component from love fantasies doesn’t necessarily remove it; it merely drives it underground so that it becomes implicit instead of explicit.
I also don’t buy that romance readers will be confused by the presence of sexual fantasies in romance novels. What is there to be confused about? How easily confused ARE we, anyway? I know that I’m (usually) able to distinguish love affairs from affairs that involve only sex, both in fiction and in real life.
I didn’t want to take over the RTB comments with these musings of mine, hence this short (for me!) ramble on this space. What are your thoughts? I’m going to invite Miss Black over here and hope to hear more of her perspective.





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by SB Sarah • Tuesday, January 31, 2006 at 07:26 AM
Bitchery Reader Shaina asks, “Is there a difference between man-titty and man-boobs?”
Why, yes, of course!
Let me first state for the record for any males reading: women, as least as far as the women I know, do not care much about your hairline. We aren’t big fans of combovers and I personally think the time and trouble spent lassoing a toupee could be better spent elsewhere, but by and large? Hair? Not such a big deal. Bald can be - and often is - very very sexy. Especially when one goes bald with an attitude of “I don’t really give a shit, because my manful manliness is inside this head, and also inside another head, which has always been bald.”
Or perhaps the attitude would be less verbose, along the lines of “I’m the man. Bald or not.” Either way, fine and sexy.
But the manly manbreast? The manboob? The mantit? Not so manly. And indeed, there is a difference.
The mantitty is most often pictured on the cover of a romance novel or in a beefcake calendar of your local fire department’s bronzed and buffed babes. The mantitty is firm, round, and casts a rather odd shadow, almost a crescent, on the chest beneath. This is because the mantitty has the ability to hold itself aloft without the aid of strings, toupee glue, or hydraulics. It is its own firm universe, casting a shadow of manliness on the ripply abdomen beneath, and some, thought not all, women find it quite attractive. It speaks of great attention to one’s self, particularly in gym time and perhaps even waxing or shaving and application of aftershave balm to keep that mantitty smooth and supple.
A manboob, on the other hand, does not cast a shadow. It hangs, slovenly and deflated, against the chest of the male who bears it, almost like the breast of a woman who has nursed eighteen children for two years each. But while the female can wear her soft breasts as badges of honor that she has run the gauntlet of motherhood, the bearer of the manboob, he has no medals of achievement.
The manboob, it is not firm, and it does not stand of its own volition, unless one is picking it up by the nipple and giving it a little shimmy to watch the ripples within undulate with glee. A saggy manboob makes one think of a manbra, and that is an image that no one wants.
A manboob is the product not of attention, but of neglect. Too much sitting, not enough situps, I am sad to say. And, in the interest of full disclosure, I will state that my room to talk in that department is also nowhere to be found.
The manboob, it will not appear in the calendar or the cover of a romance novel, and pictures of it will likely cause the Manolo to shriek with fear and horror.
But a fine mantitty, though large and somewhat alarming on its own, does offer many benefits: photogenic, sometimes attractive, and always good to hide under during a downpour.
Does that clear the issue? One hopes so. If there are any other questions, please, feel free to pass them our way!
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by Candy • Monday, January 30, 2006 at 07:24 AM
Sarah: Y’all. Y’ALL. Now we know what happened to Ian Ziering from 90210. But where’s the cover with Dylan and Brandon? Mrowr!
Candy: It’s a miracle more of these cover models don’t come down with some sort of catarrh from standing around with their shirts unbuttoned in the cold, damp air.
I also wonder: Do these guys use aftershave on their chests, and is that why their shirts are unbuttoned? To allow the aftershave to evaporate freely?
Sarah: Oh, the heartbreak of finding your dream man, replete with breathtaking mantitty, only to find he has a monster case of jaundice. And turning yellow does not a good indicator of health make. Wonder what else might be turning yellow, hmm? Run, dearie, RUN!
Candy: Jebus, can two people look any more gross? There’s just this sheen of, I don’t know, grease and, yes, jaundice about them. I can just about picture the stink-lines emanating from these two clowns. Maybe that’s why their mouths are slightly agape--they’re breathing through their mouths.
Sarah:
Hero: Dude. Where’s my shirt?
Heroine: I care not, milord! I must reform you! Apparently you are a rake!
Hero: I’m a what?
Heroine: A rake! Or, that’s what you used to comb that hair, anyway.
Hero: Huh?
Heroine: And while we’re talking reform, high-waisted pants are not a good look for you. Who is your tailor? And your barber?
Hero: Oh, boy.
Candy: Another grubby-looking guy. I think the cover artists were trying to go for “manfully dishevelled” but managed to hit “meth bender in the middle of a windstorm” instead. And why is she staring at his collarbone with that intent almost-sneer on her face? It’s almost like he has some schmutz in the shape of the Holy Mary on his clavicle and she’s debating whether to wipe it off or not.