





by Candy • Friday, December 02, 2005 at 02:12 PM
Woo hoo, ‘tis that time of the week again. Guess the correct title, author and hero’s name (no hero’s name, no banana!) and get yourself a shiny happy Smart Bitch Title!
Assholes Anonymous
SWM. My mom was a slutbag ho, my dad was neglectful and kinda abusive, and this means I get to be a great big jerk. So: looking for a sweet, impoverished young thang to accidentally compromise so her scheming mama can force me to marry her (yes, this happened to powerful dukes ALL THE TIME in nineteenth-century England, and don’t let anyone tell you different), then I’ll disappear for a long time, and she’ll have plenty of time to be disillusioned with me, and then I’ll come back hoping to find that beautiful ingenue but instead of the tomboyish urchin, she’s beautiful and sophisticated and getting married to my cousin--what the fuck, yo?
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by Candy • Thursday, December 01, 2005 at 08:06 AM
I found out about Blog Against Racism Day via Monica Jackson (her contribution can be found here, but I’m not going to touch THAT particular topic with a ten-foot pole). Anyway, I’ve been thinking quite a bit about racism and racist speech and racist intent, none of these thoughts being particularly organized, but you regulars are used to me kind of rambling ‘round and ‘round the point instead of addressing it directly, right? I hope so, because this entry is really rambly.
So here’s my first thought about racism:
Not all racists are evil people, though racist acts are always evil. I also think one does not have to perpetrate racist acts to be a racist; racism is an attitude.
Racism has become a very charged word--accuse somebody of it and images of flaming crosses and lynchings come to mind. Those images aren’t unwarranted, but I think a lot of nuance is also lost. There are racists, and there are racists. It’d be nice if race weren’t an issue, but then it’d also be nice if gender, sexual orientation, social and economic class and religious beliefs (or non-beliefs, as the case may be) weren’t targets for discrimination, either. People are people, and people, for whatever reason, seem to enjoy pissing on others who are different from them in whatever way. I have observed, though, that people who identify themselves as, say, feminist and queer-friendly are also much less likely to be racist, while racists tend to be anti-feminist and homophobic.
My parents are racist. They’re not bad people. Some of my siblings are racist, which they undoubtedly picked up in part from my parents, and some of them aren’t. I like to think I’m not racist, but I also know I’m not the best judge of myself. (I do freely acknowledge that I harbor prejudices, but near as I can tell, none of them have anything to do with race--my bigotry tends to be belief-based, e.g., if you believe Intelligent Design is scientific or that gay people should never be allowed to marry, I’m going to think you’re a moron and/or an asshole, no matter what else you say or do. This goes double if you like Celine Dion or Richard Marx, because I refuse to believe anybody who loves Richard Marx has a soul. Je refuse.)
My parents said racist things and were deeply, deeply uncomfortable when my best friend in middle school was a Malay girl. However, they only ever expressed their displeasure to me and never in any way indicated to my friend that they were less than pleased that we were close. Similarly, they blew a gasket when my sister dated a Kenyan guy in college, but they were courteous when they met him--in fact, my mom was kind of pissed when they broke up because HE WAS GOING TO BE A LAWYER, DAMMIT, and bless her practical Chinese soul, the status and salary more than made up for everything else, up to and including his coal-black skin.
Oops, did I just make a racist comment about my mom? I guess so, but a lot of Chinese people, especially those who live in South-East Asia will tell you: a lot of those jokes about kiasu, mercenary Chinese people hold true. I know it does for a lot of members of my family, and I have to actively repress some of my own kiasu tendencies because I was brought up to be insanely competitive.
Maybe I’m culturalist, not racist? Because I don’t think race determines these attitudes or attributes. I don’t think us chinkies are inherently better at math and the sciences than other races, for example--but I do think that the high value our culture places on education, especially education with high perceived status and extensive practical applications like engineering and medicine, encourages kids to excel in these fields. My mom never got a fair shot at an education--it’s tough to be born a girl in a shitty-poor Chinese ghetto in the late 1930s in Malaysia--and it really burned her ass, which is why she ragged on all of us kids to do well in school.
And oooh, look, I used the word “chink”! I must be racist. And so was a friend of mine when I was telling him about a racist incident at work and he replied with “Goddamn you brown people! You’re taking over America! We need to kick your asses out and make it ours again. It’s time for the round-eye to rule supreme!”
People. It’s known as irony. It’s supposed to poke fun at racist people by caricaturizing them. It takes away some of their power if we’re able to look at them square in the eye and say “You’re ridiculous, the words you use are ridiculous, and we’re going to laugh at you and refuse to let you hurt us. Oh, and the Jews DO run the mass media and the banks, and they ARE out to get you.”
On the other hand, east Asians have had an easier time with assimilation than black people here in the States, plus our history here in the US isn’t quite as traumatic or long-lived, which is probably why the n-word still has the ability to make me flinch.
Two questions:
1. Is it racist if it’s true?
2. Is it racist if it’s employed for the sake of comedy and/or irony?
Shameless relativist that I am, I say: it all depends. Context is important. Racist speech can be used without racist intent--in fact, quite the opposite.
I have to admit that item 1 stymies me, though. You can make claims that are scientific and empirical (e.g. that a certain race tends to score higher or lower in certain areas of study) and then draw racist conclusions that aren’t necessarily supported by the data (that this proves a certain race somehow has superior or inferior reasoning abilities, etc.) which then go on to support racist actions (denying somebody a job, for example, just because you’re convinced that on average, somebody of a certain race is going to do poorly at a certain kind of task). So the latter two are most definitely racist, but is the first racist, too? Hell if I know. What do you think?
For the record, the John McPherson cartoon that got Chris Clarke’s panties in a twist and Sarah Silverman’s chink joke? I don’t think either are racist. The McPherson cartoon is painfully unfunny and depends on inaccurate depictions of cannibals and cannibalism for its joke, but hell, Hagar the Horrible is still running and I don’t hear people boo-hooing about what a travesty to Scandinavian culture that strip is. Dude. It’s a COMIC STRIP. Clarke’s objection seems to be that the cannibals are brown people. My question is: if you want to make fun of cannibals, would making them white make ANY kind of sense? Because really, how many white cultures engaged in ritual cannibalism up until the 20th century? I can’t think of any.
Or is Clarke especially sensitive to misrepresentations of cannibals in comic strips? I admit: I don’t get it. I really don’t. The strip is unfunny, but I don’t get the racist component.
And I thought Silverman’s chink joke was awesomely funny. In my opinion, it pokes fun at people who are desperate to get out of jury duty, if anything, and it strikes me that the people who’d cry “Racist!” at that joke would also be the kind who whine about the use of “niggardly.” But I have to say, the messenger matters just as much as the message. If the joke had been made by, say, the mother of the Gaede twins, that would’ve given the joke a truly unsavory spin.
Man, this was even more unfocused and rambly than usual. My apologies. But these thoughts have been percolating in my head for a few days, and I’m glad to get them out. Hopefully discussing this with you guys in the comments will help me solidify some positions while discarding others as untenable.
I have some other thoughts about non-white protagonists in genre fiction in general and romance novels in particular that also has some bearing to racism, but they’re far too amorphous for me to express at the moment.
So everybody: Happy Blogging Against Racism Day!
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by SB Sarah • Wednesday, November 30, 2005 at 03:34 PM
I’m home on maternity leave, and this means a few things: I don’t get a lot of sleep, my day is broken up in to frantic moments where I try to get as much accomplished while Freebird is sleeping, and when I am able to get a moment on the computer, I’m shopping online because I’m not supposed to take the small unvaccinated man out into the wild world of crowds, germs, and head colds.
So I’m doing me some serious online shopping, and I was wondering: What books are on your holiday list this year? What books do you want to receive - or, better yet, what books do you want to give?
Personally, I tote a book with me all over the house and I’m reading in snippets as I feed, change, soothe, lather rinse repeat. I keep looking at my giant copy of Northern Lights which has been squatting on my TBR for months, mostly because my arms are too puny to cart it around. But most of my reading is the ARCs and review copies authors and publishers are kind enough to send me.
But I’m also eyeing Janet Evanovich’s Alaska romance Manhunt (which would be a nice thematic reading series with Roberts’ big ass hardback, also set in Alaska). After a quick survey of the Amazon.com new releases recommended for me based on past purchases, I also noticed new MaryJanice Davidson issues, as well as a late-fall release from Eloisa James and Nora Roberts (who has both new and re-releases out).
Who else is coming out with new books you crave for the holidays? And what’s your book that you think everyone must read, and that, if you had the money, you’d buy a copy for everyone you know (at least, everyone you know and like enough to buy books for)?
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by Candy • Wednesday, November 30, 2005 at 11:32 AM
Our Grade:
Title: Dark Watcher
Author: Lilith Saintcrow
Publication Info: Imajinn Books 2004, ISBN: 0975965328
Genre: Paranormal
Disclaimer: Lilith Saintcrow is the President Superbitch of the Romantic Bitches. Me? I’m the Vice President of Vices. Full disclosure and all that. Make of this review what you will; I know I made every effort to read this book and judge it solely on its own merits.

Theo Morgan, much like Greta Garbo, just wants to be left alone. See, Theo is Special, and not in short yellow bus kind of a way. She’s a Lightbringer, a witch, and one with powerful healing abilities. Forced to live a rootless life for a long time--people eventually take just a little too much interest in her unusual abilities--she’s finally settled down in a town she really likes where she owns a store that specializes in New Agey witchcraft supplies. She’s even found three other witches to befriend and employ.
But all that is about to get shot to shit. Theo has caught the attention of the Dark, and a centuries-old Crusade against witches has moved into town. Lots of nasty things have made it their highest priority to turn Theo and her like into hamburger. This is where Dante and his fellow Watchers step in.
Watchers are created to be guardians of witches by Circle Lightfall, a rather mysterious organization. On one hand: protecting witches from being turned into hamburger is a good thing. On the other hand: they use some rather unsavory methods to battle the Dark, up to and including implanting elements of the Dark in the Watchers to allow them to combat their foes more effectively.
Theo and Dante strike up sparks right away, even if Theo finds him kind of creepy. Dante, on the other hand, figures out in double-quick time that he’s found his soulmate, the only person in the world who can make the pain from the Dark inside him go away. The usual shenanigans ensue--bad guys attack, Dante and his fellow Watcher, Hanson, hand their asses to them, Theo does some rather rash things, Dante blows a gasket, does more ass-handing, rinse and repeat.
While overall an entertaining offering, the book suffers from some debut author clunkiness, especially with the way chunks of exposition are worked in. The dialogue, action blocking and characterization also suffer from bouts of awkward lurchiness. I find it hard to describe in concrete terms, but with some books, I find myself picturing soap opera actors delivering the lines while pacing a cheap, garishly-lit set. Something about the cadence of their speech and the way they react just lends itself to that sort of visualization. Dark Watcher suffers from this sort of writing only occasionally, but it was often enough to be distracting.
Theo herself kind of bored me. She’s kind of a cross between Nancy Drew and Siddharta Gautama Buddha: she can do EVERYTHING, everybody loves her except the bad guys, and she just about oozes compassion from her pores. If she were a hippo and compassion were hippo sweat, she’d be red all over, baby. She’s not really annoying, but she also didn’t have too many interesting nuances.
Dante is a bit more interesting. There are delicious hints of a really unsavory past, not to mention the things Circle Lightfall did to him to make him a Watcher. However, very little of his backstory is revealed, and most of the time in his head can be summarized thusly: “Theo. Theotheotheo. Man she’s hot. Oooh, can I touch her? But I’m tainted. Mmmm, Theo. Theotheotheotheotheo. Ooh, she just touched me! Wait, scary bad guys are after her! RAR, HERE ARE YOUR ASSES, BAD GUYS. Mmmm, Theo. Theotheotheo.” But then a lot of romance novels suffer from this sort of redundant musing.
Those of you expecting a traditional HEA for this book are going to be disappointed, by the way. Lots of threads are left dangling at the end, threads which are presumably picked up in the sequel, Storm Watcher. Dante and Theo’s love story is, in many ways, just beginning right when the book stops.
However, this book does get two things very, very right. The first is the world-building. Most paranormal romances I’ve read have kind of sucked on the world-building, and usually I don’t even give it a second thought, just as I don’t let clunky love stories faze me while I’m reading fantasy and SF. The world in this book is fascinating, especially the intrigue surrounding the Crusade and how it came to be. By the way: if you’re a hardcore Catholic who believes all the Popes and the Church have been, are and always will be infallible authorities guided by the Holy Spirit, amen, then I recommend that you skip this book because it’s probably going to offend the hell out of you. Personally, I thought Dark Watcher took some interesting risks; while horror, fantasy and SF aren’t afraid to poke at the occasional religious authority, I have yet to see paranormal romance novels do too much of this. My only frustration was that the length of the book didn’t allow me to explore the world and the monsters to my full satisfaction.
The other thing this book gets right is its portrayal of witches. Here’s another problem with many romance novels: characters who are remotely crunchy-granola-earth-mother rapidly become caricatures, oftentimes really, really annoying New Age stereotypes whom I’d love to crush under a spiky bootheel. Most Constance O’Day-Flannery novels and Rachel Gibson’s It Must Be Love provide prime examples of these types of airheads. Dark Watcher is the first romance novel I’ve encountered that treats crunchy types with respect and makes them seem (oh, dare I say it?) cool.
Dark Watcher is kind of a mixed big bag, but overall, it’s more good than bad. If you’re looking for a different take on romance novel witches and some fairly complex world-building, you could do a lot worse than checking this one out.





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by SB Sarah • Wednesday, November 30, 2005 at 10:09 AM
My mother and SBTB reader Susan were kind enough to send me a link to info on the Literary Review’s Bad Sex in Fiction prize. From fantasizing about foot surgeons to sex with glassy-eyed sheep with fine lashes (shouldn’t every heroine have fine lashes?!) this contest is the Bulwer-Lytton of sex scenes. Susan’s reaction: “ye, gods, and they have the NERVE to go on and on about purple prose in ROMANCE?” Amen to that!
Shouldn’t there be a romance novel’s bad sex scenes contest? Have y’all read any sex scenes that were just absolute howlers this year, in a new or recently-published book? Perhaps we need to make this a year-end event - Smart Bitches, Bad Sex contest. Not that we’re having bad sex. Smart Bitches never have bad sex!
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