Smart Bitches Trashy Books | All of the romance, none of the bullshit.

Best Novel with Strong Romantic Elements
A.K.A. Goddess
Evelyn Vaughn

Sarah: I keep looking at this cover to determine how I feel about the out-of-focus image of the heroine. The background imagery with the arches and the medallion in the background does it a marvelous job of indicating the plot - but the fuzzy heroine? Hmm.

At first, my thought was, “All covers look like this if I don’t wear my glasses!” But as different as it is, I like it. I’ve not seen a cover like it in romance, and while I found it distracting at first, I think it’s an intriguing design. I’m not sure it would catch on with cover design, but it’s fascinating.

Candy: Look! It’s the Bionic Woman! Now with Blur-Tronic™ Technology! Also featuring the hottest shade of Auburn Shimmer hair color, coming to retail stores soon, brought to you by L’Oreal Feria! (They don’t call it hair dye any more--only floozies dye their hair, classy dames color it. Ahhhh, love me some marketing.)

Anyway, the cover itself is quite nice. But the motion blur effect? I think it’s cheesy as hell. Moderation, people! Moderation! Plus with the mildly worried yet resolute look on the model’s face, I wonder if she’s actually worried about being smeared off the page altogether.

Best Contemporary Single Title
Bet Me
Jennifer Crusie

Sarah: I love this cover. LOVE IT. Luscious, sexy, sassy, and so perfect for the story. LOVE it. Crusie might have also have to be named an official Lucky Bitch™ for this and her other recent covers. I love when a writer gets a distinctive design for her book covers that emerges in subsequent issues - Crusie and PC Cast both have almost iconic covers and the attention to design paid to their novels makes me so happy from a respect-from-publishing-houses perspective. I mean, why shouldn’t romance novels get kickass cover design?

Candy: Can’t find anything to snark about in this cover. It’s sassy, it’s beautifully-designed (look at the fonts! And the colors!) and the shoes are relevant to the story, and I could gush on and on but hot damn, that’d be so boring… One of the few instances in which a deserving book is graced with a truly wonderful cover.

Best Paranormal Romance
Blue Moon
Lori Handeland

Sarah:From the middle down I love this cover. But avast, me hearties! Man-titty ahoy! However, since it’s a partial image of a man, it’s some what more mysterious, and as I’ve said, I am a fan of the faceless dude. Faceless or neck-down images allow me to put my own face on the hero, which is much more satisfying. Man-titty aside, of course. Arrrrgh!

Candy: Strut on a line, discord and rhyme, he’s on the hunt he’s after you… After your support bra, that is!

And is the wolf howling in sweet, sweet sorrow at the presence of unnecessary man-titty in the cover?

Sorry, the boobage just ruins this cover for me. Bleh.

Best Inspirational Romance
Grounds To Believe
Shelley Bates

Sarah: Again, from the middle down, awesome artwork. From the middle up? What’s the message here? Is he God? What’s with the “Touched by an Angel” backlighting?

Candy: I am not a fan of the “dude leering over a landscape” type covers. I mean, da fuck? If he’s God, then God looks like baggy-eyed, vaguely pouty white yuppie scum? And Heaven is full of inoffensive pastel colors?

Ugh. Talk about Hell.

Grounds to believe… that this is a lame-ass cover.

Best Regency Romance
A Passionate Endeavor
Sophia Nash

Sarah: “I can totally see down your blouse, my lady.”

I’ve never understood the homogeneity of Regency covers (this after I get all giddy over iconic cover design for specific authors, allowing me to spot them at ten paces sans glasses). But similar design for a genre? Makes it easy to grab your Regencies, I suppose, but after awhile, is it possible to create something original in what has become a very standard cover design?

That said, that is a fine looking dude right there. Wish he’d appear on more covers than that other guy, the other Fabio.

Candy: “Ahhh, ma cherie, it is charming that you are attempting to read. But I know what it is like to be a woman, with your greatly diminished intellectual capacity. Here, let me help you sound out the words as you read.

“Ahhhh, yes, a fine book, ma puce. Let us begin!

“‘See Dick run. Run, Dick, run!’ Ahhhh, quel aventurier, our leetle Dick.”

Sorry. Something about the guy just brought to mind someone sleazy, French and condescending.

Not that I’ve EVER met good-looking French guys who were sleazy or condescending, or anything. *koff*

Best Short Contemporary Series
Miss Pruitt’s Private Life
Barbara McCauley

Sarah: Looks like someone has Miss Pruitt’s hair off-camera and is about to give it a mighty yank. Weird hair aside, Rwor! Nice sexy cover. Not enough overt sex oozing off the page to make me want to cover the screen with my hand, but enough to make it spicy.

Except for the hair pulling. I HATE it when my hair gets pulled.

Candy: This one’s all right. It’s not hideous, praise Jah. But it’s also kinda cheesy and brings to mind made-for-TV soft porn. The cover says to me, Harlequin Blaze: It’s the Skinemax of Romance!

Best Long Contemporary Series
John Riley’s Girl
Inglath Cooper

Sarah: Hey. HEY! Get a room! Not in front of the newborn foal! Maybe you want to go see why the burro baby isn’t standing up yet? Or are you looking at that riding gear over her shoulder and thinking, “Hmmmm!”

Candy: Oh, the poor foal. It has no idea what unspeakable acts are going to be perpetrated upon it by these two Stepford People, does it?

So much for no bestiality on our romance novel covers.

Best Long Historical Romance
Shadowheart
Laura Kinsale

Sarah: Is this a stepback? I couldn’t find a secondary image online. Anyone? Otherwise? Get the Crusie/Cast team of cover designers on over to Kinsale’s house, stat! We need some fabulous iconic designs for Miss Kinsale asap! Because for a great book, that cover is seriously yawnful!

Candy: Laura Kinsale is cursed to have either really awful covers (see: every original cover for every Avon novel) or really, really boring ones (see: every Berkeley release). Ah well, at least we are spared Fabio’s bountiful bosom. This book deserved a cover featuring a detail from a painting from the Italian Renaissance to do it justice. But y’all know what a freakin’ Laura Kinsale fangirl I am.

Best Short Historical Romance
A Wanted Man
Susan Kay Law

Sarah: At first I dug this cover, as it’s not usual that you see the waist-down perspective (huh huh) of a heroine. Not to mention that the title and the image are at odds - sure looks like she’s walking away and that there man is not so wanted after all.

But the shadow on the ground? Is he stalking her? Is it creepy? Is she running away because he’s a wanted man for being a creep? Is he going to start lurching down that path after her?

OK, now I’ve officially creeped myself out.

Candy: Eh. Pretty bland. But Sarah called it: kinda creepy with the shadow and all.

Best Romantic Suspense
I’m Watching You
Karen Rose

Sarah: Dude. DUDE. KICK ASS COVER! Deliberately creepy, and what a totally innovative angle for a cover. The fat gloved hand, the rearview mirror image? KICK ASS. WHOO!

Candy: OK, from the shrunk-down cover, it looked as if the person’s wearing oven mitts, which, as you might well imagine, drove the “What the fuck?” factor way, way up for the book. But upon looking on a bigger version, I now see that it’s not an oven mitt.

Anyway, pretty nice cover. It’s nice to see a cover that’s actually intentionally creepy, instead of hilariously creepy (see: just about every cover for Sandra Hill’s Viking series).

While we are not an RWA site solely, we had a lot of response to the discussion regarding the awards ceremony, and the direction RWA should move in from this point forward.

I thought, since permission to forward was granted, y’all who had a great deal to say on the topic would like to see the response of Gayle Wilson, President-Elect and one classy lady in my opinion for reasons separate to this issue, and what appears to be much of the board.

It had to happen, of course.

There are apparently rumblings and murmurings about how the RITA awards ceremony fiasco shouldn’t have been publicized. That it shouldn’t have been discussed outside RWA loops, and that there’s no point in determining who wrote the script, and who gave it the greenlight so proper blame can be assigned.

My first thought was: y’know, this was a big ceremony with hundreds and hundreds of attendees, not all of whom were RWA members. Get a grip.

My second thought was: it’s almost always best to have things out in the open and publicly discussed. A lot of shit gets flung this way, but when it’s in the open, you can at least see the shit coming and duck. Or toss the shit back. Or whatever. Hot damn, this metaphor is HORRIBLE, but I hope y’all get what I’m trying to say.

Ah well. For Selah, who broke the story on Tuesday, massive props to you, lady.

For those of you who are curious, here’s the original discussion of the topic--the comments are where all the real juicy bits are.

Congratulations to June for being the first to guess correctly today’s Guess that Lonely Heart

The Smart Bitches hereby dub thee:

And remember, if it’s nae Scottish, it’s CRAAAAAP! 

You know the drill:

1. Name
+
2. Title
+
3. Author
+
Correct guess
=
Smart Bitch Title™!

Feisty but loyal young Lady does not seek Scottish lad but I don’t have much choice in the matter. If I must find out if the rumor about what hides under your kilts is true, I wish for a strong leader who will learn to appreciate, protect, and honor me as I diligently and effortlessly charm the living daylights out of everyone in the keep while simultaneously driving you mad. Lairds with freakishly insane extended family need not apply.  Ya ken?