




by Candy • Friday, October 14, 2005 at 09:15 AM
It all started a couple of days ago when I noticed PBW calling certain types of historical romance heroes “sheroes” because they were too nice, too sensitive.
Then Ferfelabat in the comments to this entry on Monica’s blog noted how historical heroes should be mean, and characterized modern men as “metrosexual-pc-chest-hair-shaving-how-are-you-feeling-today-babe? (Somebody just freaking KILL me already I so do not find most modern men attractive) millenium-male-neutering-at-birth-must-stop!-90’s.”
And then I remembered this previous rant I wrote and am again fascinated by what people perceive as acceptable or attractive masculine behavior, especially in a historical context.
I once said that one of the few constants in this world is how people of the older generation love to bitch about how the younger generation is dumber, more degenerate and generally more useless and going to hell in a handbasket. I realize now that another constant is how, as people get older, standards of masculine and feminine behavior of the newer generation are examined and judged as wanting. The men are distressingly girly, and the women unbecomingly forward (substitute with slutty and/or mannish as appropriate). The refrain “When men were men and women were women” is an old one, repeated with wistfulness by the old guard everywhere as the young ‘uns rebel and do something distasteful to their settled sensibilities--like women deciding to wear pants.
From the sounds of it, you’d think that behaving like a pissed-off, marauding soldier (yeah, that’s sexy--ask some Bosnian refugees what REAL marauding soldiers do*) or an unwashed mountain man is the be-all and end-all of platonic masculinity. Real men just take what they want! Real men don’t cry! Real men don’t care what they look or smell like! Real men sprout hair from any and all parts and orifices, and are PROUD of that hair, dammit!
In short: Real men aren’t pussies. In Romancelandia, there seems to be an underlying assumption that the only real men, especially men in historicals, are alpha heroes--VERY alpha heroes who, if they existed in real life, would be jailed for battery and sexual assault.
But if you read literature written by people living in the eighteenth and nineteenth centuries, like Charles Dickens, Thomas Hardy, the Bronte sisters, Samuel Johnson, Alexander Pope, George Eliot, Lord Byron, Sir Walter Scott, etc. ad nauseam, and if you look at former societal standards of what constituted ideal or desirable manly behavior, there was quite a bit of what would qualify as girly-man behavior going on, especially in the middle and upper classes, which is what most historical romances portray.
Courtly love. Code of chivalry. WIGS, POETRY, SATIN AND LACE, FOR GOD’S FUCKING SAKES. Byron wrote love poetry and he was the fucking rock star of his age. Men who write love poetry NOW?
The word starts with “p” and ends in “ussies.”
So repeat after me: standards of masculine behavior are changeable. Standards of masculine behavior are changeable.
Above and beyond all that, I also find it fascinating when people use comparisons to femininity in a pejorative sense. It’s one thing to not like a certain type of hero and elaborate why; it’s another to drag the opposite gender into it--though I guess I admire the efficiency in slamming both at once. And that thought led to another tangential musing, one that I think I’ve talked about before on this site: It used to be that masculine women were viewed with a certain degree of horror, but nowadays, if given a choice, I think many, many parents (at least those in industrialized nations) would prefer daughters who like toy soldiers and trucks vs. sons who like Barbie dolls and sparkly purses. The stigma of femininity is still very much with us; this is evident in the fact that women get to wear pants but men aren’t allowed to wear dresses and skirts. It seems to me that when blurring of gender roles and lines are allowed, allowing women to adopt superficial masculine traits is more acceptable than the reverse. Maybe because women WANT to adopt those masculine traits, but most men are not as willing to take on traits associated with the weaker sex?
(Um, sorry for sounding like a half-baked women’s studies paper all of a sudden.)
So following on that, is that why many readers of genre fiction--which often concerns itself with well-known and well-worn tropes and forms--are so discomfited, even hostile, to characters who violate gender lines? And I’m not just talking about romance novels, girly-man heroes and female readers. You can also see this sort of reaction in some male SF readers who seem to have an allergic reaction to assertive female characters in their stories.
But then, as I thought more about it, I realized that what PBW and other people complain about when it comes to annoying girly-men heroes aren’t so much feminine traits as they are just plain annoying traits. They’re talking about heroes who sound smothering, ineffectual, clingy and, well, kind of wimpy. These features are more acceptable when found in women, but c’mon: who likes clingy, ineffectual wimps of ANY gender? When heroines do the same thing, we call them doormats.
So why drag girliness or femininity into it at all?
Think about this another way: it’d be like me comparing a particularly violent alpha asshole hero who physically hurts the heroine to, say, a black dude. I’m not comparing him to a thug, or a criminal--those would be undesirable no matter what race you were. Instead, it’s: What’s with all these heroes treating their heroines the way black men treat their women? What’s with all these ne-roes?
When changed so that the comparison is a bit more charged, it gives it a whole other feel, doesn’t it?
Now, I’m not saying I’m exempt from this sort of gender-based shorthand. Check out how many times I use the word “pussy” pejoratively on this website. So in many ways, it’s a case of pot, kettle, black. The messenger has a whole lot to do with the message, too. PBW gets leeway because she’s a woman as well as a writer and reader of romances, leeway I’m not sure a man who doesn’t read or write romances would get, and I’m sure that if I were black, that my hypothetical comparison would take on other dimensions, too.
Still and all: isn’t it interesting?
Personally, I like all sorts of heroes. I like alpha heroes as long as they don’t cross the line and physically or sexually hurt the heroine. Confident, take-charge types are very attractive. The perfect alpha hero for me is Sebastian Dain from Lord of Scoundrels. He’s bad, he’s stubborn, and he’s a Type A personality--but in just the right way, and we get enough of his backstory that we understand why he’s such an asshole at times.
On the other hand, I also like heroes who are angsty and tortured but not necessarily alpha, like the kind Laura Kinsale excels at creating. And I love beta/gamma-type heroes who take on some of the roles that are typically assigned the heroine, such as healer and nurturer.
I’ve noted before that I enjoy it when taboos involving gender lines are broken, or at least bent and bashed around a bit. It’s part of the reason why I like romances involving cross-dressing. When the characters are feeling what seems, at the surface, to be a homosexual attraction? Love it. Love watching the characters struggle with it. Some people are squicked by the idea that the characters, by evincing this attraction, are not 100% hetero. Most of the people I know who are squicked by this aspect almost always say the hero is showing signs of being gay and they’re worried that he might run off with the footman, when really, he’s showing signs of being bisexual, and tendencies towards monogamy are not, as far as I know, exclusively associated with sexual orientation.
Overall, however, the underlying message is a pretty attractive one to me, even if it’s not necessarily realistic: that it’s the essence of somebody that’s attractive, and not necessarily their packaging, even something as powerful like gender. The moment in Shadow Dance when Sophie tells Valerian (whom she thinks is a woman) that she loves him and is willing to follow him anywhere, even after he tells her he’d have sex with her if she does (again, the assumption being that he’s a woman)? One of my most favorite scenes in any book, anywhere.
In real life, I’m attracted to men who aren’t stereotypically masculine. The metrosexual, body-shaving type? OK, I can’t stand people who primp too much, male OR female, but men who *koff* shave and know how to dress well, who know their way around literature, music and pop culture, who aren’t afraid to display or engage in a discussion about squishy feelings when called for, who are able to poke fun at themselves, who are secure enough to wear make-up and a dress when the occasion calls for it? HOT.
So here’s a salute to the real girly men: men who confound gender stereotypes and expectations and look pretty fucking sexy while doing it. Long may you prosper. There aren’t nearly enough of you in Romancelandia.
* Yes, I realize the whole Conquering Hero fantasy is just that: a fantasy, and that it bears no resemblance to the real-life brutalities perpetrated during war time, but allow me this little bit of hyperbole, eh? Hey, if PBW can do it, why can’t I? Oh, wait I review books, and therefore am lower than the lowliest prokaryote. Sorry, forgot that. That lack of a cell nucleus really fucks with my short-term memory. Also, my ability to use commas, em dashes and parantheses with proper discretion. DAMN YOU, CELL NUCLEI!





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by Candy • Thursday, October 13, 2005 at 08:49 AM
A little bird told me that Harlequin is now offering 6% royalties on e-Books. Apparently, this is non-negotiable.
The typical royalty rate for other e-publishers? 30-50%.
Now, I’m wondering: why the discrepancy? Also: is the royalty rate for books that are offered both in paper and e-book format, or is it the rate for books that are going to be offered primarily as e-books, a la Ellora’s Cave? If the former, 6% would be pretty typical for paperback books, but if the lattter--well, that’s pretty Scrooge-a-riffic.
Anyone willing to skool Candy yet again on what’s going on? A lesson on the intricacies of the royalty system would be appreciated too, by the way. I only have the vaguest idea of what’s going on here, but I’d love to know more.
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by Candy • Thursday, October 13, 2005 at 06:31 AM
I have an interesting question I want to pose to y’all later, but first, some assorted link pimpage that’s engaged my attention:
- Doug is running a sex scene contest, Bulwer-Lytton style. I’m sneak-writing my entry at work. God, I hope the old hag who sits behind me doesn’t decide to sneak up and check out what I’m typing.
Ah, what the hell--it’ll make her life more exciting.
- Brenda Coulter argues that we should be very, very nice when reviewing books because romance novelists are sensitive and writing a book is harrrrrrrrd. Booksquare replies, and Monica Jackson enters the fray as well. They all have points I agree and disagree with.
Y’all know where I stand on this issue, right? I mean, if the 666 engraved on the back of my skull and my oft-declared love of pain didn’t give you a clue already....
- Is bacon dropping from the sky? Because holy fucking shit, Monica Jackson and LLB are having a civil conversation. Where’s that sal volatile?
I still hold out hope for a reconciliation between Monica and LLB/AAR. *wipes tear from eye*
- AND! Thanks to my fabulous friend Katie, I found out about Virgin: The Untouched History, coming in 2006, which dedicates TWO CHAPTERS TO HYMENS. Katie has read it and told me it’s grrreat, and I always believe Katie, and you should too because Katie? Is fabulous. I just can’t wait for this book to come out, but in the meanwhile, I’m checking out Hanne Blank’s erotica anthologies.
So, anyone have a list of authors to whom I could gift The Untouched History? *evil glee*
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by Candy • Tuesday, October 11, 2005 at 09:37 PM
I don’t watch TV at all very often, but I find it comforting to have it on while I’m unpacking. It could be some totally shitty show in the background--I don’t care. Last week, for example, I unpacked kitchen crap while listening to the dulcet tones of Martha Stewart channeling Donald Trump.
Well, last Sunday, while sorting out my clothing, I caught a re-run on the WB that snagged my attention. I actually stopped what I was doing and plopped my ass on the couch to pay full attention to what was going on. Two hot (and I mean HOTTTT) brothers who also happen to be demon hunters go around the countryside, tracking down and killing all sorts of spooky critters. The story was cheesy as all hell, the cheesecake factor through the roof, but holy crap, I’ve been sucked in but good.
And tonight’s episode, with a story that was basically a Candyman/Ringu hybrid? EEEEEEEGAAAAH. I mean, I knew exactly what they were ripping off--hell, I’d SEEN the movies this episode had stolen its ideas from--and it still scared the shit out of me. It helps that the production values are decent, and the effects were actually pretty scary. I’m now afraid to look in the mirror. It definitely doesn’t help that I already have really irrational fears about demons and evil spirits residing in mirrors to begin with. (Why do you think I wrote the cliffhanger I did for the last installment of my SASS?)
What show am I talking about? Supernatural, my friends. Cheesy TV at its best. When the fuck is the Season 1 DVD coming out? I need to see the pilot because I’m getting bits and pieces of a truly juicy backstory, especially the creepy dead girlfriend.
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by SB Sarah • Tuesday, October 11, 2005 at 06:20 AM
Inspired by this awesome list of things that only happen in movies, we present 15 (or so!) things that only happen in romance novels?
1. If you go for a walk in Hyde Park, your incredibly well-groomed and impeccably trained horses, or someone else’s, will go wild and start a dangerous rampage through the trees.
2. A secondary or tertiary character who suddenly reveals something personal about themselves for no apparent reason in a romantic suspense is going to DIE DIE DIE.
3. One kiss of the hero/heroine has the power to create irresistible powers of lust that cause one or both parties to toss off their clothing, even if in the corner of a house hosting a ball attended by thousands of nosy people.
4. A corollary: once the hero and heroine have divested themselves of enough clothing, or gone past 2nd base, no matter what the location, they will rarely if ever be discovered or caught, even if in the corner of a house hosting a ball attended by thousands of nosy people.
5. Laudanum will soothe the pain of anything from a minor headache to six bullets in one’s left buttcheek. And it tastes like crap warmed over, but the taste is easily masked by tea. Weak tea.
6. Despite the lack of cleanliness, the hero will survive a bullet to the shoulder, arm, buttock or leg, even after “probing for the ball” with what sounds like a fireplace poke.
7. If there is a heroine, and if there is a riding habit, there will be a feather and it will be jaunty. It is the law.
8. No matter how badly the hero is wounded, he’s always up for some serious nookie. Gut shot? Perforated lung? Brain trauma? Doesn’t matter. Wild Willy is ready and willing for the ride.
9. American girls ALWAYS have more leeway and freedom to act like slutbags, unlike their stuffy English counterparts.
10. During an age when most people didn’t bathe often, and no matter what the ambient temperature of the ballroom and the number of powdered, stinky people surrounding her, the heroine will always smell delicately of orange blossoms, spring roses, or something equally appealing.
11. The villain is the only ugly person with significant air time in the book. A handsome villain will become the hero of the sequel.
12. If there’s a gay villain, you can bet on him being a pedophile too.
13. Alcoholism and other problems with addiction can be dealt with in one, big detox session.
14. Nothing identifies a hero faster than an artfully tied cravat. But it never, ever makes him a dandy.
15. Every couple ever in the history of Regency England and following historical periods married for deep abiding love and rather flammable passion. But not one of them knows the others, because, as any matron will tell you, love matches are exceedingly rare.
Care to add more? I know you have suggestions!
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